On The Theory Of Folk Art Since The1980s

Century since the1980s, Twentieth Century Folk Art has some typicalcharacteristics of the selected part of the representative from this particular historicalstage, to reflect the theoretical study of the folk art characteristics and trends in thisstage classification, combing, summarize, and to conduct a proper analysis, the basictheory of the folk art of starting to rise to the study of folk art disciplines, and toanalyze the height of the folk art and cultural development. First, explore the basictheoretical research on folk art. The basic theory of the Folk Art Folk Art, a basic level,the basic level of the structure of the paper. The basic theory of folk art, mainlyincludes the concept and nature of folk art, folk art characteristics, the function of folkart. Understanding and interpretation of folk art and its related concepts is one of thebasic questions of the study of folk art, and then extended by the folk art of the basicconcepts of the nature of Folk Art. The same time, the connotation of the concept offolk art and analysis of the nature and folk art features, is inseparable from the three todiscuss "Folk Art". The function of the Folk Art On this basis, further evidence thatthe "Why Folk Art".Second, folk art disciplines of the summary. The establishment ofthe China art disciplines need to start from basic research through a variety ofresearch to enter a wide range of academic fields of interdisciplinary research. Folkart and folk art disciplines, construction began in the1980s established theory, thetheoretical study to become a representative of the theoretical results in the study offolk art, but also precisely because of the above reasons, folk art disciplines Thetheoretical content of the study is not enough of this paper is relatively short length.Disciplinary framework mainly from the disciplines of folk art, folk art object of study,method study of folk art, folk art theories crossover study of four aspects of theanalysis.Third, On the folk art and cultural development of research and analysis, thisis the focus of this paper. On the basic connotation of the folk art, the creation of folkart and folk culture, folk culture has had a relationship of interdependence. Therefore,to study the relationship between the arts and cultural development in China to become the dominant direction of Folk Art in the1980s. This article from thetheoretical study of the folk culture and the concept of connotation to start, therelationship between folk art and folk culture and its role in popular culture of the sort.Previous studies have shown, the concept of folk culture at the same time the Statuteof the relationship between folklore and folk art, nature, folklore and folk art, moreexperts and scholars to put the effort of research areas, Folk Art and Folk CultureResearch " The finishing of the representative point of view is another importantelement. The same time, the culture evolving, new content will be as the link betweenthis relatively new concept presented, with the depth of the research and protection ofintangible cultural heritage, folk art and intangible cultural heritage began to beattention, this article will be China Arts and intangible cultural heritage research, andthe consequent non-material cultural heritage and the heritage and protection of theFolk Art sort out and analyze, and new development of a new era of folk art--asimple collation of the relationship between the characteristics of the cultural andcreative industries.This article concludes that: Folk art in basic theoretical research to theconnotation of " folk art " as a starting point; Folk art discipline theory discussion to"interdisciplinary" nature as the main line; Folk art and cultural development ofoutstanding performance for folk art" cultural evolution".