| Hagel says that everything comes from the heart of the dialectics cause, In Chinese painting andcalligraphy to exist between dialectical thought is the main viewing problem. Chinese painting andcalligraphy show originated in primitive society people living in the. When humans belong to theprimitive man, On the nature and ourselves have great limit, the ancient people to this understandingand life is recorded and followed for people.The traditional pen and ink spirit from feudal socialism, the traditional pen and ink techniquesin Chinese painting and calligraphy reflecting the social status quo, mostly on social dissatisfactionwith the status quo, or when Pen full intensity. Only by learning the ancients themselves cognitivefeel after a lot of time the clinical learning can live and learn new techniques, to the ink flow to bindthemselves to experience a new style which makes the painting was true to life likeness. On Chinesepainting and calligraphy are the essential issues of research and analysis, description and applicationtechnique of Chinese painting and calligraphy are inextricably linked. Line art achievements, thebasic provisions of the Chinese painting and calligraphy homogeneity, and to promote Chinese artdevelopment maturation.From the layout of art of composition, the overall form, seal, his inscription on the subtledistinction between Chinese calligraphy and Chinese painting. In Chinese painting and calligraphyof the same nature at the same time also has the difference. The main form of beauty from the angleof inner beauty, inner beauty is the beauty of Chinese painting reflects the Important is heavy, suchas people, Chinese painting and calligraphy in the aesthetic are sensory art and have manysimilarities and differences. The interest is formed not by the author but also enjoying the Investment,through the painter’s emotion and on the nature of observation, interest in art by art techniqueperformance of scenes, and can profoundly manifested universe or the true meaning of life, thus theaesthetic subject and the body and mind transcending specific, step into the broad field of vision artspace.Chinese painting and calligraphy have limitations for the historical roots of Chinese paintingand calligraphy, traditional life philosophy, to treats people, by the people of sublimation to anation’s culture by the social and historical conditions of the environment restrict, emotionalsensibility at times restricts and affects the Chinese painting and calligraphy art. To understand theChinese ancient theory of ideology to enhance their cultural literacy and aesthetic。 Chinese painting and Western painting which completely depend on their digestive blendtogether, even if not consolidate traditional has not completely imitate painting, but with the spirit ofChinese culture for the foundation, develop and enrich Chinese painting. Painting of the world, inthe Chinese calligraphy history of three thousand years of development in the end effect ofcalligraphy painting Chinese painting calligraphy achievements, or this is not important, important isthe east it is unique and literature is closely related to culture and art, is the pride of Chinese people,more people to look forward to the future of the country inheritance and development. |
