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Study On The Heroine’s Passage Of Donizetti’s "lucia Di Lammermoor"

Posted on:2013-01-09Degree:MasterType:Thesis
Country:ChinaCandidate:Y WangFull Text:PDF
GTID:2235330374953233Subject:Music
Abstract/Summary:PDF Full Text Request
Donizetti (Gaetano Donizetti,1797—1848),Italy romantic opera musicrepresentative. Created a lot of works of opera, his unique style is still worthy to make amodel.“Lucia di Lammermoor”not only the pinnacle of Donizetti’s romantic tragedy, butalso the world opera history is very famous representative, As the touchstone forsoprano. To some extent, has exceeded the Rossini opera seria height, It provides areference for the later Verdi. Donizetti’s Opera wisdom have been brought into full play,the one and only is a classic works.Lucia’s aria from the positive reaction of her love for the brave and steadfast, and intough love, struggle with the fate of the desperate mood changes. Lucia’s aria containsmany coloratura skill, such as: Coloratura walked quickly, skip, portamento, trill,appogiatura, echo, fast and so on. Interval between the great span, the range has coveredalmost all the range of coloratura soprano, combined with the opera with dramatic, thisrequires that the singer should not only can profoundly reflect the tragic effect, but alsohas a superb vocal skills.In this paper, Donizetti ’s opera creation and “Lucia di Lammermoor” brieflyoutlined on the basic, for Lucia’s aria was emphatically analyzed, Maria Callas, AnnaNetrebko, Joan Sutherland and Anna Moffo’s version for comparison. I hope you can bemore detailed understanding of the works, a good grasp of the work’s style. At the sametime to provide a singing and teaching material, also can be to love the opera and theinterpretation of the opera soprano who bring inspiration and help.
Keywords/Search Tags:Donizetti, Lucia, analysis of Aria, singing treatment
PDF Full Text Request
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