| The success of the market economy transformation with the consumer age, popular culture arrival, in domestic market and not mature art," after80" young artists in the market but becomed the" spring "," after80" phenomenon has also become the media and public opinion to folly, topic.Occupy the Chinese contemporary art is the art of all half oil painting for the future development of the vane, also in oil painting art in the "after80" work is most attention, rebellious, conceit, illusory, entertainment, contradictions, cynicism......People’s " after80" generation of first impression, they don’t have constrained, in their consciousness and under the guidance of the subconscious mind they started their own new surrealist style, and the style of the works now it looks both in the market, but also in the academic is the more successful.In this paper,"after80"and not strictly time division, of the" after80"young artists is basically was born in around1980in enter the new century began to walk into independent art creation road artist. In the article, the author tries to put the "after80" painting surrealism characteristics of the cause, concrete embodiment, the significance and the problems in the system analysis and discusses, especially in its surrealism characteristics of the concrete embodiment of detailed research, of China’s "after80" oil painting art super realistic works classification (cartoon melt, the game change, cold humor, etc) and looking for the theory and practice to demonstrate the source.Through this paper of China’s " after80" oil painting art surrealism features, I hope that we can to the current "after80"the present situation of the oil painting art have a comprehensive understanding of and analysis, for their future creation and growth to provide a clear direction and good reference." after80" is developing a generation of "after80" art study will also continue to put forward the new direction and the subject, this article and was for the future "after80" art theory and practice research articles of the author’s brick. |
