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Discrimination Of Art Features Between Blue And White Porcelain Painting In Civilian Kiln And Literati Painting Art In Late Ming And Early Qing Dynasty

Posted on:2013-04-21Degree:MasterType:Thesis
Country:ChinaCandidate:T LinFull Text:PDF
GTID:2235330377460005Subject:Archaeology and Museology
Abstract/Summary:PDF Full Text Request
The Blue and White porcelain painting in civilian kiln, as a special kind of artform, its artistic characteristics is rich, also is complicated. This paper gennerallyanalyzes both the definition and historical background of literati painting and the Blueand White porcelain painting in civilian kiln; Secondly, the author deeply analyze thecomposition of factors from literati painting to Blue and White Porcelain Painting incivilian kiln.The special social cultural background in the late Ming and Early Ming Dynasty,the Blue and White porcelain painting in civilian kiln in their own factors of theromantic development, optionally literati paintings from work to change in the wholeprocess, it accepts the literati painting of the subject matter, composition, inktechniques of the form. The development of Blue and White porcelain painting incivilian kiln grow up in different ways from other fileds of the folk art.At the same time, this article in chapter3tells us that the literati paintings workon the influence to the Blue and White porcelain painting in civilian kiln, withdetailed picture of the physical analysis. The fourth chapter,the writer preliminarythink the the process of Blue and White porcelain painting in civilian kiln is theembryonic stage of the development of the light coloful pocelain to some extent.
Keywords/Search Tags:Late Ming and Early Ming Dynasty, The literati paintings, Blueand White porcelain in civilian kiln, Art characteristic, light coloful pocelain
PDF Full Text Request
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