Recent, Chinese watercolor grew surprising, but how to make it better is worth to be discussed. The originally ontology language of Watercolor painting was produced with philosophy, history and culture foundation, and has a reasonable representation. But after watercolor painting spread into China, the ontology language changed in different cultural background. These changes make the spectators happy or confused. The thesis attempts to reconstruct the ontology language with the description and analysis to the originally ontology language, with the analysis of the collision and integration to Chinese national culture. The thesis hopes to help the Chinese watercolor go further. |