Inherit And Transcend:Lu Xun And Zhang Tianyi’s Art Of Satire

"The writers of each generation, are in dialogue with the solons, reflecting their artistic ideals; every literature movement, is also in dialogue with the sages to reflect its development direction."when we talked about Tian-yi Zhang, Mr Huawei’s ridiculous deeply imprinted in people’s mind. Yes, Tian-yi Zhang loves satiric art,and the exquisite irony of artistic skills which behind him make people not only remember Mr Huawei still can think of Mr Tan jiu, semper grandma,the teacher of Xie,when people touched the history of the1930s. As the bridge of Chinese modern satiric literature which communicate the20s and30s. The particularity of Tian-yi zhang’s satiric novel is not using a few simple words can express finished. This paper is based on the satiric art of Tian-yi zhang’s novel, and used the methord of text analysis, comparing proof,combined with the Literary Theory, tried to seek the localization sources of his satiric art.The introduction is to re-grasp the thread of satiric art in Tian-yi Zhang’s novel,which on the basis of the History of Modern chinese Literature to backdate the status and influence.we will found the outside influences are indispensable factors made his novel’s satiric art came to maturate,combinating readme materials you will found the Lu Xun is an important localization factor.The first chapter is based on the previous efforts about this issue, using impact studies to point out that satiric art in Tian-yi Zhang’s novel is not just the learning of foreign outstanding satirical artist,the localization factor, especially Lu Xun’s satiric art can not be negelacted. Thus,we should return to historical data and according this clue to found the factual connection between Tian-yi Zhang and Lu Xun,for the reasoning of latter treatise.The second chapter on the basis of historical data and literature reading to discover the similarity of the basis between Tian-yi Zhang and Lu Xun." The Concept of Truth"and "character satire", as a foundation for other section.In the third chapter based on the first two to unfold concrete treatise about the acceptance from Lu Xun to Tian-yi Zhang. Reviewed Lu Xun’s national character criticism,I will started three sections from "spiritual victories""spectators culture""bondage Nora"to talk about the acceptance of national character criticism from Lu Xun to Tian-yi Zhang.Chapter IV further explore the Ugliness way from Lu Xun to Tian-yi Zhang,from"sketches and cartoons","sorrows and joys intermingled","children’s perspective"these three angles.we will foundin skills Tian-yi Zhang does have a unique place than Lu Xun’s vision, which is the children’s perspective applied to the ironic expression.To sum up, the satire road which pioneered by Tian-yi Zhang has long merged into the good Chinese localization of satirical art, the ancestor having touched this problem, but they had not expanded in-depth, in the above view, although there is no lack of predecessors have been put forward such as national character issues, tragicomedy, this paper is dedicated the accpectant process from Lu Xun to Tian-yi Zhang, I hope to play a valuable role for the study of Tian-yi Zhang.