Research On The Local Movie In The View Of Traditional Chinese Aesthetics

Chinese movie has gone through over a hundred years since its birth,in this hundred years of development history, we can find that is rich intraditional aesthetics of the local movie running through.China localmovie its aesthetic charm of a different kind has become an importanttype of film art in China, this kind of film style fully reflects thetraditional aesthetics of Chinese national film unique implication.Localmovie as a Chinese film art style, not only enrich and perfect the artforms of the Chinese film, but also to the increasingly commercializedworld of Motion Picture Arts to bring a fresh and tranquil country flavor.However, we can easily find, as opposed to the creation and promotion ofcommercial films and the main theme of the film to promote the will ofthe state, reflecting the natural beauty of the local society, folk customsand honest favor of the local film has been in a more marginal position.Since the New Era,with the end of the Cultural Revolution, thecreation of the China Motion Picture Arts gradual recovery Recalling thepast history of heavy style on the screen, as well as to express theirexpectations for the future a better life. The local movie has undergoneenormous changes, both in the narrative theme of the movie or imagesmanifestations, filmmakers were active in exploration and innovation,local movie usher in a new historical period.Local movie refers to the local environment to the regional strongnarrative background, the emphasis on regional and cultural, with adistinctive national style and geographical characteristics of the film. Thefilms focus on depicting pristine natural rural landscape and the simplefolk sentiments, to convey a simple yet profound local culture and local spirit, with strong local customs and culture color. Journal of Chineselocal film in the context of the history of world cinema and modernbackground as a starting point to examine the local film in the new erafrom the perspective of traditional Chinese aesthetics. In addition, not allof the local film are excellent, successful art film, so, this article chooseto have a high aesthetic connotation, cultural implication, theme thoughtsand unique aesthetic style, and artistic style, evident in the aesthetic spiritand traditional culture of Chinese local film study.The article attempts to use text analysis and comparative study of thenew era of Chinese local film interpretation of the text, from theperspective of traditional Chinese aesthetics to examine the Aesthetics inthe local film and cultural connotation, analyze summed up the aestheticsof Chinese local film showingstyle, and analyzes the shortcomings of thelocal film in the development process.Article reads as follows：The first chapter is to describe the generation of the native complexin the modern background, and this nostalgic complex in the variousnational film. At the same time, to define the concept of local film inChina, and the development of the new era of Chinese local filmcharacteristics were analyzed.The second part focuses on the traditional aesthetic implication,presented by the Chinese local film and analyzed and summarizedaccording to the selected part of the classical films. Mainly from thecombination of the beauty of artistic conception, simple style of naturalbeauty, meaning meaningful implicit beauty, the beauty of human natureas good as water four aspects of analysis.The third part analyzed the aesthetic implication of the local movieaesthetic origins, mainly from infiltration of traditional Chinese poetryand painting aesthetics, film manifestations of the artistic spirit of Tao and the influence of Confucian culture on the local film spirit of three todiscuss.The fourth part is to analyze the problems and shortcomings of thelocal film in the development process,and trying to in-depth to explorethe Chinese local film should be how to enhance the artistic character andideas of value to achieve their own sound development of local filmdefects.