Study Of Durer Portraitsuang Of The Artistic Language

Durer portraits that have very important status in the history of German painting orpainting portraits of Western history, he is not only the later portrait painter elusive peak, avery high degree of concern is the object of study in art theory. Therefore, the Durer portraitsart in-depth understanding, analysis still has very important practical significance for portraitsand theoretical study of contemporary.European Renaissance occurred in14to sixteenth Century in Italy, without reference toItaly, the German art history will not start. The Renaissance is intended to refer to ancientGreece and ancient Rome culture "regeneration" and "Resurrection", but Germany is notavailable for the revival of the traditional. But from the Renaissance opposed theocracy,respect for human rights, the pursuit of worldly pleasures this level, the German art has beenthe strong influence of the Renaissance in the sixteenth Century, the prosperity, a famous men.Durer is one of the representative figures.The first chapter of this thesis is to do a simple statement of the portraits, mainly is theaesthetic standards of ancient traditional painting portraits made a simple narrative; thesecond chapter of the thesis, discusses the causes of aesthetics Durer portraits art language,analyzes the Durer portraits of the formation of artistic language of external and internalconditions. The external conditions that the objective reason is the influence of Germanspecial geographical environment and the Italy Renaissance; internal condition is thesubjective reason is the German painting national character and Durer my spirit. The thirdchapter is the focus of this paper, discusses the characteristics of Durer portraits in his worksembodied the spirit and. And using the comparison methodology, for example, the Durercontemporary artist Rafael and Holbein portraits and Durer portraits of comparative study,this comparison can not only in the middle of different artists, can also enlighten itself inDurer’s art personality, Durer won this uniqueness, Germany the art of deep and broad, theDurer here became a unity of contradictory elements. And the concrete embodiment of Durerportraits of artistic language is: first, to express the inner world of the characters; second, theslightest Bi is the realistic spirit; third, cool colors; fourth, inheritance of traditional paintingof the northern and southern painting advantages absorption; fifth Durer self-portrait of thereligious emotion and self examination. The fourth chapter from the perspective ofdevelopment, the German portrait painting longitudinal survey, to study the Durer portraits artlanguage influences and inspiration.