The Study Of Traditional Schema And Insignia Form In Decoration Of Oil Painting

Artists melt messages of objects in his imagination’s furnace,and then ruminate, ferment and shape. the result of this process isthe discovery of the new world in the form of a form. Art has nonational boundaries, but can not be denied that the development ofChinese oil painting was influenced by the strong attack of westernmainstream culture. In the growth of new art environment, all theoil painters advocate Chinese oil painting nationality, and each hasits own merits. In my opinion, Chinese traditional decorations andsymbols may be more as another landmark signal recording thehistorical development of China, and carrying the social civilization,why can’t this very nationalistic symbol decorated be used to theChinese oil painting. But the modern configuration compositiondominate contemporary oil painting forms and is number one increation of sense of picture form. The combination of the two, canbe considered a heaven-made match, on the premise of the uniquespirit of Chinese traditional painting, it does not lose thecontemporary taste. Whether or not it is the ideal, the door of artwill be open, so have a try. For artists, nature is the source of all inspiration. Artists arethe discoverers of various natural forms and through born instinctinduction, with operation of knowledge, emotion and imagination,they deal with the memory and imagination from nature and converthis experience in media. Not copy the external visible things, butthough the texture color, space to create the discovery of real world.the recognition and fusion of color and shape show the artist’svitality. The work of fine art through literature analysis, to explorethe art workers own painting as the main line, through the author’slong research of the decorative image, with the process of creationand practice explore the origin and development of Chinesetraditional decoration, the traditional pattern of symbolicsignificance as well as form, pattern, the concept of schema forms,schema in the picture’s configuration, uses of schema andinterpretation to contemporary decorative painting art.