"Zhou" Elegant And Delicate Studies

As long as288years ago.in the Tang Dynasty.Zhou Fang was undoubtedly the most brilliant artist one in the history of China, after more than three hundred years, the Wei frequent wars and ethnic fusion feudal dynasty into the heyday, in the economic, cultural, political and other aspects are at the forefront of the world, developed to an unprecedented peak in the heyday of the Tang era paintings of beautiful women in this historical period of nearly three hundred years, the emergence of a ho as starry ladies painter and the list goes on handed down masterpiece, leaving a large Li Tang peerless elegance.The Tang Dynasty was the heyday of the development of Chinese Buddhist art. Tang Dynasty Zhou Fang is a distinguished painter, his artistic achievements almost Wu Daozi par, he is the author of Buddhist art schema known as "Chou family like. According to historical records, in the field of Buddhist art, Zhou Fang, an important contribution is the creation of the Water Moon Guanyin image. Water Moon Guanyin image is a localized the Guanyin style, was founded in the Tang Dynasty, this paper focuses on exploring the origins of the reasons the "Zhoujia like" Water Moon Guanyin, well-known the Buddhist paintings the Zhoujia like "Water Moon Guanyin image art style similar, the Bodhisattva Palace Doll"" Zhoujia like "creators Zhou Fang, is the most accomplished painters of paintings of beautiful women, he created the image of the" Water Moon Guanyin become similar with the Tang Dynasty Qiluo ladies behalf of secularization of the religious paintings of this era, but its form inevitably there is a deeper factors. Bodhisattva faith in the Sui and Tang dynasties rise of Chinese Ancient folklore "Kuanyin Niangniang made" Chinese Goddess of Mercy as goddess. Worship, which also explains the of Guanyin Buddhist image aesthetic and ladies secular aesthetic commonalities and similarities. And other reasons, this article focuses on exploring the origins reason "Zhoujia like Zhou Fang," Zhoujia like "the creator of the most accomplished painters paintings of beautiful women, he created" Water Moon Guanyin "image become secular representatives of the religious paintings of this era, but its formation inevitably there is a deeper factors. Analysis Guanyin Buddhist image of the aesthetic and ladies secular aesthetic commonalities and similarities. Based on the results of previous studies, for Indian Buddhist paintings, Tang Dynasty Ladies painting techniques performance, aesthetic Chow Ka-like "Buddhist paintings, finished behind the Buddhist art have a further understanding of the rise of the" Zhoujia like and to explore the reasons for the spread of. And the use of the aesthetic point of hope that a deeper study.