Zhejiang Traditional Mountain Villages Vertical Build Form Beauty And Research Analysis

Continuation of the traditional in a contemporary environment has been aconcern in the field of architecture and landscape design. I found in the traditionalmountain village in Zhejiang visits villages vertical to create a reference for theconstruction of the current environment has a very revealing. Technical theory in theguidance to create a humanistic spirit and geographical characteristics of theenvironment has limitations, the technical tendency in the contemporary verticaldesign is reflected in the many negative consequences.The vertical design is the base of the natural terrain and built structures, thevertical elevation design, they can both meet the requirements, but also meet therequirements of economic, security and other aspects. In this paper, Zhejiangtraditional mountain villages in the vertical to create the object of study issummarized as: roads, terraces, borders, housing layout, drainage of rainwater. Thisclassification comes from the vertical design of civil site design, open and limit thescope of the study need for research point of view; the same time, the traditionalvertical to create the research is not purely technical strategy, the vertical to create theform of research is not a static form of analysis, but placed the context of the regionalculture and place more attention to the vertical to create the aesthetic value and placesof spiritual connotation.In this paper, Zhejiang traditional mountain villages in the vertical to create aform as the entry point, the perspective advocated learning from the workplacephenomenon back to the existence of itself. By describing the personal experience ofthe vertical structures exist in the traditional mountain village environmentalsignificance, and borrowed by the interpretation of the characteristics of villages inplace and the spirit of place, from a micro perspective to explore the ancestors howregional culture and their own existing identity projection above the vertical structures.Should be noted that the matter of concern "objects" are not universal significance,but limited to Heidegger, the concept of the value orientation of objects-"the onlycombination of the nature of the world in order to become things ". Thus, one of theimportant content of this article is to reveal the vertical structure of the traditionalmountain settlement is how to fit a specific time and space environment.Able to provide in the contemporary context for the interpretation of Zhejiangtraditional mountain villages in the vertical to create a continuation of the tradition ofthe possible: through discussion of the villages in the vertical to create the connotationof the behind the form of aesthetics and the spirit of place, to explore the traditionalconcept of the vertical to create a form to generate The mechanism may be able toprovide some useful lessons for the contemporary human settlement construction.