The Research For The Ptanarity Of Modernism Oil Painting Language

The end of the19th century and the early20th century, western painting has hadthe revolutionary change, modernism painting with a new attitude different from thepast appeared people’s horizons, artistic thinking was from traditional to modern.With the transformation of modernism painting attitude, the change of the paintinglanguage is inevitable, which gives up the traditional painting language withemphasizing the perspective principle and the sketch relations and utilizing lightauxiliary to build three dimensional space, a painting planarity language differentfrom the past is selected. As the spring breeze of the western modernism paintings,modernist paintings begin to take root in China，with a modern socialist spiritualplanarity language form following. Chinese modern oil painting is influenced by thewest, using western planarity painting language form for reference, but the Chinesemodernism planarity language must be severe tested by the Chinese culture. Onlythrough the process of localization and integration of form and the cultural spirit, itwill be our own artist language.This paper studies modernist painting language planarity in four chapters. Thefirst chapter analyzes the roots of western modernity, and understands its cause andeffect, which can grasp the development of the oil painting language and make out areason why the oil painting language will change. The second chapter further studiesthe form of the east and the west modernism oil painting planarity language. The thirdchapter introduces the enlightenment for contemporary Chinese oil painting from themodern oil painting language planarity. The fourth chapter summarizes the practicalsignificance and the existing problems of planarity oil painting language incontemporary oil painting creation. Only the comprehensive study of oil paintinglanguage planarity，we can based on local traditions and rich the oil paintinglanguage.