From The Theory Of "vigour" View Over The Theory And Practice Of Painting

Shi Tao’s history is a pioneering master of Chinese painting, not only in the field of paintingtheory able to see what others can not, leaving one system complete and profound ideas ofaesthetic masterpieces of the bitter gourd monk art quotations, and in practice is unique in thepainting, leaving a large number of classical landscapes of masterpieces.As a unique anduniversal concept of philosophy of the Chinese nation, has a very important position in China’straditional philosophy, as one of the Chinese culture Chinese painting had a long-term impact,reflected in the Chinese landscape painting is very significant.This article was selected a"strength on the" it’s a unique perspective, using idiosyncratic concepts of naive materialism ofthe vigor of natural philosophy to research, analysis of Shi Tao’s theory and practice, to his greatcontribution to Chinese painting.As he leave painting, epilogue, and the pictures, such asquotations from a large number of theories, I seized him by the theoretical core "a painting",from the exploration of the ontology, and build on the "draw" connotation of high life, breakthrough the simple technique of a model line, but harmonizing ontology of the universe,individual life and the essence of painting as a whole.His entire theory system integrated with hisdeep understanding of Chinese culture, in particular contains the naive materialism of strengththrough natural philosophy and aesthetics, is a crystallization of Shi Tao’s own wide reading andpersonal experience.Shi Tao’s painting practice, summary of I with the help of his own theory ofpainting as an effective way to understand his paintings, experience, realization in the works ofShi Tao’s penetration of strength on the idea.Summary of this article in full strength based on thepenetration on the basis of the General characteristics of the work, focusing on selected works ofShi Tao’s early, middle, late some representation, study and analysis.Through the analysis,whether under the influence of Xin large clouds of early work shows Misty picture, embodied inthe life of these cities popular system;Qifeng fusion natural search is also made to the uniquestyle of the medium-term work form a verdant and luxuriant unrestrained, embodied in the chaosof the universe of the original;To form their own unique look I blend, reached by the later worksof the natural state of harmony, reflects the world of "strength" and the painter’s mind "vitality"blending into one, all reflecting the profound influence of strength on the.