Qiang's Ritual Dance

Nowadays, Tibetan Buddhism, Theravada Buddhism and Mahayana Buddhismform a situation of tripartite confrontation, three major heritages. Buddhism wasintroduced into China later, but it gradually replaced the local originated religions anddeveloped into special Buddhism in Tibetan. Focus-Tantric practice in TibetanBuddhism temple hold every year to pray law of God to defend Buddhism and localpeace and prosperity for a Buddhist activities. The Vcham ritual dance of TibetanBuddhism which is a kind of special cultural phenomenon, with long history anddistinctive features, is a Tibetan temple unique ritual dance, having a high the study ofvalue. This study object base on GA Dan East Zhu Lin temple’s "case stacking",taking the field of method as the foundation, dance ecology theory as the support, andtrying from Dong zhulin temple Vcham ritual dance context, religious meaning andartistic features to analyze several aspects of the following problems:1. we did some explorations for Vcham a religious product from specialcharacteristics, aesthetic characteristics, Vcham this appellation is in buddhism tibetanappeared later, before Tibetan history there is a similar ceremony performed, itsorigins can be traced back to the primitive totem worship and religious rituals,everything from "animism" belief.2. Find the inner relationship between historical materialism, dialectics, theexploration of Tibetan Buddhism Vcham ritual dance behind the profound culturalimplication and ideology, to make relatively comprehensive study.3. Find the appearance of the "faith effects", and why Vcham ritual dance in theTibetan Buddhist monastery was prevalent in thousand years, Millennium of thefuture will be how.Finally, the pursuit of the Vcham ritual dance is not only in history flied, butalso roots in the existing bamboo East Temple Vcham ritual dance to cognitive andintegration, with historical materialism and dialectical materialism as much aspossible to retain the Tibetan Buddhist culture connotation and unique manifestation, was the era of construction. Finally, trying to find being accepted, melting the nationalethnic identity, individuality playing as one of the Dongzhulin temple Vcham ritualdance.