The Spread Of The Theory Of Tonality Thought

Tonality and twelve-tone are two well-known the immense vocabulary, and the development of musical in today,the majority of these two concepts are designated two forms for the opposite, of course, such a judgment is normalresponse by ear.However, the development of tonality has a profound intrinsic heritage of force; Tonality in the history isa moment of change and innovation in the history, since the20th century, the twelve-tone tonality appear astonishment,even more confusing, so, which lead to the attack of countless people on the system of public opinion, of course, manyof its order out of chaos, but is still only a handful.In view of this, I chose the intrinsic link between the tone of thinking and twelve-tone, as this thesis research. Ibelieve that the concept of tonalityhas never been abandoned and disappeared in the history of the development of themusic, but only toward the development of a broader perspective.Found of twelve-tone system by the author, the the tone of thinking has always existed in inherent musicaldevelopment,it just presented to the state the way of movement of the structure; to the existence of intrinsic value lies inits rigor and logical, atonal twelve-tone system is the basis of tonality, with its intrinsic rationality and science, althoughhis lack of beautiful melodies and touching emotional; but I think that music, there is no audible or inaudible, it isimportant to their work inherent to express the profound meaning of its final value.In this paper, the author first discusses the origins of the twelve-tone system and its kernel composition.Methodology and characteristics of its history of development factors, and internal brief overview; Secondly, I willcombing the history of the development of atonal music; again, the author proposes the core elements of this paper,Iwill define the concept of reversed thinking and the characteristics inherent in thinking of the tonality, and then willadjust tonality and atonality thinking to make the analysis and appraisal of the dialectic; Finally, I reflected for ofexpressionism three representative composers of tonal thinking penetration to make a brief analysis and appraisal. and tobe dialectics the characteristics of the three composers have, and then discussed the process and methods to constructthe structural strength of the work when it lost the traditional tonal core in the twelve-tone atonal works, and based on thetwelve-tone system, the tonality factor form of the penetration.Finally, we will observed tune the historical development of heritage and deferred by the demonstration of thistheory analysis and atonal to be re-cognition the twelve-tone system in rational thinking situation.