Shaanxi Han Stone Art Research And Exploration

Portrait stone in Han Dynasty is a wonderful view in Chinese art history, also aconcentrated reflection of art in Han Dynasty, of which Han portrait stone in northern part ofShanxi is an important part because it has same art feature and style with Han Dynasty stone.In addition, its regional characteristics, with a vigorous performance style, from hunting,farming, and grazing figure embodying the customs of ancient northern Shanxi, makes itdifferent from them in other places. It is these unique regional characteristics that reflect Hanstone’s own charm in northern Shanxi. Han Dynasty’s art modeling, with little accurate andtruthful depiction of detailed images, pays more attention to the broad expression of theprominent things, explains in a clear outline of dynamic and static combination of northernShanxi Han Dynasty stone and reflects life and strength in a coarse and heavy way, but notseek to shape a crystallization of the mental outlook of the plain. Han portrait stone innorthern Shanxi belongs to the mass distribution of the composition, in which a single imageis also a part of a wide range of performance. Therefore, the artist must do a good job in theperformance of the content on the distribution to consider and grasp the potential of thescreen. From the perspective of appearance structure, Han Dynasty portrait stone in northernShanxi is obviously formed of geometric segmentation; from the perspective of performance,it uses the method of arrangement; from the relationship between the specific images, itcombines static and movable force. Han portrait stone in northern Shanxi embodies the unityof idealism and materialism, exaggerated and objective. It is the cohesion of idealism andmaterialism in one of the integration of the arts. Han portrait stone in northern Shanxi has aunique artistic charm, gives light to latter artists and positive inspiration to modern painting.