The Concept Of Calligraphy And Painting Under The Trend Of Idealism

The concept of painting and calligraphy under the influence of the ideological trend of "mind learning" is different from that of previous generations,which is the result of the change of artistic spirit in the late Ming Dynasty.During this period,the political situation was chaotic and turbulent,and social contradictions were acute.The traditional Confucian scholars lost their hearts of helping the world and self-motivation in the face of turbulent society.They no longer regard "reaching the goal of both the world and the world,and being poor as their own way of life",which seems to be "the hero lost his way".Under this background,the study of mind breaks through the limitations of Neo-Confucianism of Cheng and Zhu,and brings changes to the ideological,literary and artistic circles: taking the self-satisfaction of the subject as the academic criterion breaks the authoritative situation that Neo-Confucianism unifies the whole world,highlights the value dignity of the individual and the unshakable personality spirit,and tries to reverse the deteriorating world style.Starting from the related overview and aesthetic connotation of "Mind Studies",this paper introduces the artistic spirit of "expressing spirit alone" and the painting concept of "collecting ancient times as the first" when writing a chapter to show the aesthetic interest of the artists with the participation of life emotional consciousness,to explore the influence of the evolution of "Mind Studies" on the artists' mental world in the late Ming Dynasty,and to present new value significance.The purpose of this study is: first,how can artists emerge from the social quagmire and integrate and express the connotation and skills of painting better after inheriting the essence of previous literati paintings;second,the author combines the development trend of art in the background of pre-Ming,middle and late Ming Dynasty to show their unique artistic characteristics and aesthetic interest,and the trend of "mind study" Whether the new value meaning derived from the concept of calligraphy and painting is integrated with tradition and has an impact on future generations.The full text consists of four parts.The first part is an overview of the related issues of "mind science",explaining the concepts of mind science and the main contents related to this article,such as "to conscience" and "mind is reason",and clarifying the starting point and development track of "Yangming mind science";the second part is the aesthetic connotation of "mind trend".With the purpose of influencing the concept of painting and calligraphy art,the author regards "self-satisfaction" and "nothing outside the heart" as the aesthetic connotation discussed in this paper,and links the literary and philosophical thoughts at that time to provide theoretical support for the artistic representatives in the following articles;the third part,based on the second part,leads to the artistic spirit of "expressing spirit alone",and shows the direct expression of "spirit of nature" after the pouring of "spirit of nature" into the main body's pen and ink.—— The old model to the awakening of "self-satisfaction" consciousness.At the same time,taking Zhang Bi and Xu Wei as representatives,this paper makes a thorough study of their origin of psychology and creative style.From "heart" to "pen",the author explores the subject spirit and painting concept under the influence of "mind-learning ideological trend".Spirit,inside and outside,excavates the internal relations and laws,and develops dialectically each other.The fourth part is to analyze the painting concept of representative artists horizontally.In addition to Dong Qichang and Xu Wei,he also writes the four kings' views of "collecting ancient" and "learning ancient" in the early Qing Dynasty,and analyses the "mind-learning" to him.The influence of artistic style and form.This is the common development,change,replacement and promotion of aesthetic culture and artists' personal characteristics.