From The Traditional Image To Explore The Art Value Orientation Of Digital Virtual Images

The development of technology will lead us into the digital era, the century ofthe digital age has brought to people present, the most dazzling figure wasundoubtedly the virtual imaging technology, as information technology advances, theincreasing number of virtual images into our lives, gives us an unprecedented visualexperience. With digital photography and virtual image technology in terms of theextensive application of camera, digital video art around the non-controversial andhas never stopped. One view is that digital video images to a large extent underminedthe development of art itself, while the other view is that the traditional image of theera has been to, the future belongs to digital images. Based on the above twoviewpoints, the paper discusses the use of the comparative analysis of the advantagesand disadvantages of digital virtual images and images of their art to bring positiveand negative effects, as well as its artistic value.Comparison of the first chapter of this paper, the method focuses on theso-called virtual images of the advantages of digital is that it’s convenient quicknature of mobile networks, can be creative, these features in the news media, visualcommunication design as well as areas of daily life have been the ultimate play. Andits shortcomings, it is because it is too easy a result of shooting skills and artisticaspects of the degradation. Late mainly powerful digital imaging system, theauthenticity and the resulting lack of credibility, too bigoted in weakened or evenignore the visual experience and sense of touch, hearing, perception of reality causedby such illusory image.In the second chapter, by comparison, this paper images of art in the context ofin-depth exploration of the strange and familiar, traditional and modern, digitaltechnology and imaging, virtual reality and the dialectical relationship between, andthus derive the digital image we should have a scientific attitude. Meanwhile, virtualreality and the dialectical relationship between the chapter, the paper also discussesthe “Reading Pictures” and the documentary context of images, photography as a “token” of the property, pointing out that too much emphasis on imaging of the“visual” attribute to the neglect of the “token” property is one-sided.Chapter3to the fourth chapter is the focus of this article, the third chapter thatfocused on both traditional and digital image virtual image is not the crux of theproblem. Convey the image through its own content is particularly important, ratherthan carrying the contents of the attached form, the form must be content to beproperly reflected. Furthermore, if the loss of a professional attitude, scientific spiritand genuine love and respect for the image, even with the most professional imageacquisition platform and the most advanced digital CG technology is meaningless.Finally, the paper mainly from the structure of the virtual images, art features,aesthetic characteristics and discusses the virtual image visual psychologically uniqueart form and artistic value, and summarized some of the art digital virtual imageaesthetic way. Summary analysis of the digital future of virtual video art exhibition.