Oriental Elements In Puccini Infiltration

Puccini is a famous composer of Italy, as well as an outstanding representative ofthe Italy opera.At the end of nineteenth century, early twentieth century Italy opera isfilled, he and Verdi, Debussy, Bizet at a time, so many people will take them forcomparison, but Puccini’s opera has its own characteristics, he is not a stick in themud, imitate their writing skills, but on the basis of traditional music and on thetechniques, to increase its own character and philosophy, created his own style ofmusic.Standard is divided into four parts, the first chapter is divided into three parts, thefirst section mainly introduces the life of Puccini; the second section is his creationprocess, the life of Puccini wrote12operas, leaving many classic for futuregenerations, is still the world stage long; third section is mainly about realism.The second chapter is the creation of "Turandot" and "Madame Butterfly" thesetwo operas were introduced, including the themes of the works, the outline of thestory and the classical aria analysis the several aspects.The third chapter is written "Turandot" infiltration of oriental elements and"Madame Butterfly".Tells the story of the westerners to mix has the characteristics oforiental elements to the opera, showing the oriental traditional folk culture and music music for us, respectively from the melody, lyrics, clothing and other aspects ofintroduction and explanation.The main content of the fourth chapter is to study the influence of these twoworks of artistic value and Puccini’s opera on the later generation.This paper starts from Puccini "Turandot" and "Madame Butterfly" the twooriental opera, analysis of the use of oriental elements in the opera, through analysisand study of the melody, lyrics and stage sets and so on, let the reader understand thetwo exotic opera.The author hopes that through the analysis of these two operas,provide some reference to the people.