Based On The Theory Of Fine Arts Course Of Qilu Landscape Painting Resources Explored

Landscape painting Chinese painting is the most representative art style,. She formed in the Wei Jin Southern and Northern Dynasties, the fashion is not completely separated from the painting, Sui and Tang dynasties before independence, the five generation, the Northern Song Dynasty when mature, become Chinese painting important painting school. The Song Dynasty of the Five Dynasties to the early Lee became the representative of the Northern School of painting Chinese landscape painting to the prosperity of the. The traditional landscape painting Chinese landscape painting as one of Cory’s hand, painting in China in the historical position is indelible. But because of the special geographical environment and cultural influences, the arts and culture and unique regional characteristics to Qilu, Qilu traditional landscape painting art has unique charm. So will the Qilu traditional landscape painting and fine arts curriculum discourse combination, through the study of Qilu traditional landscape painting of curriculum resources, the Qilu traditional landscape painting the formation background, regional style, art show, and as a teaching resource for in-depth research and development has very practical value to study.The first chapter mainly from the Qilu traditional painting art cultural connotation, formation and elements, cultural philosophy and aesthetic aspects of collecting verification, to explore the Qilu traditional landscape painting artistic characteristics. The first section from Zhang Zeduan, Li Cheng, Zhan Ziqian, Xu Daoning and other Chinese landscape painting masters painting style and development process to explore the traditional Chinese landscape painting arts and culture.Erom the Chinese landscape painting and a pioneer of the classic and its successor the angle exploration. The second section mainly analyzes the traditional landscape painting art form and elements. Chinese traditional culture Confucianism as the backbone, with Buddhism, Taoism, Legalism and cultural system. The Confucian doctrine of China had a profound influence on society, including political, cultural, educational, and artistic aspects by its impact. Shandong is the birthplace of the Confucian school, Qilu traditional landscape painting nature also deeply influenced by the Confucianism culture and the development of. And the humanistic spirit and the natural resources of Qilu traditional landscape painting is the existence and development of the necessary elements. The third section from the Qilu traditional painting art cultural function, practical and aesthetic features in three aspects of the Qilu traditional landscape painting of the cultural philosophy and aesthetic characteristics.The second chapter from the perspective of curriculum theory of Qilu traditional painting art to the cultural spirit of the show, and it serves as the unique superiority of art curriculum resource. The traditional landscape painting is the Qilu special landscape resource, it is the artistic treasures, it of Qilu traditional landscape art show is any other landscape painting by the incomparable, so it will be as the fine arts curriculum resources, not only can be the Qilu unique style show, but also to the geographical Qilu culture and customs communication will be more real and appropriate. The first section of Qilu traditional painting art cultural spirit of inquiry, including Qilu traditional painting art on the Confucian cultural spirit and the Central Plains culture temperament of the display and the the Yellow River historical civilization characterization. The second section from the curriculum from the perspective of the traditional landscape painting unique superiority and its modeling, painting, painting techniques and features in the aspects of resource.The third chapter mainly discusses the traditional landscape painting art in the history of problems and characteristics. The traditional landscape painting of the development and inheritance of showing a great imbalance. Li Cheng is the traditional landscape painting, Li Cheng style of taiga and bleak beauty in the traditional landscape painting in terms of high attainments. The first section from landscape painting history inheritance and landscape painting realistic and freehand spirit heritage, and other aspects of landscape painting in the development and inheritance of the lopsided sex. The second section from the fine arts education to explore the traditional landscape painting curriculum development and utilization of. The traditional landscape painting curriculum development in the new era of art education imminent, also has the important significance. This is responsive to the educational reform of the feat, also accord with art education standard very forward-looking initiative. This course is not only the development of art education’s contribution, but also on the traditional landscape painting and reasonable utilization of resources, as well as on Qilu traditional landscape painting history status recovery also has great significance, but also to a certain extent promote Qilu traditional landscape painting in the continuous development and innovation.