The Imagologie And The Migration Of Majnun’s Image In The Uighur Literature

“Layli and Majnun” is one of the saddest love story in the world’sliterary history. The love story because of wreaking demolition to kill adark society of freedom and humanity the truth of love, to express theaspirations of the people’s pursuit of pure love and freedom and thewonderful and moving, full of romantic spirit story, which attracted manyArab, Persia Turkic-speaking writers and poets.The human noble characters which are smart, brave and loyal love,against the feudal forces combined with image of the “Majnun”, in thelong history of migration from the Arab soil to the Iranian plateau and fromthe Iranian plateau to the Tarim land, so far has become Turkic peoples,especially the Uighurs very familiar with this process, a nationalization ofUighur literature since ancient times in the process of dialogue with worldliterature than foreign works copied to imitate, but it gives creativeprocessing, giving it new impetus to change it into a good example of thisfeature with the same as if the works in their own soil. Plus, I very muchhope that the analysis changes of the image of “Majnun” in period in theUighur literary, which helps observing the development process of theentire Uighur literature and pointed out its internal rules. With this purpose, the thesis is divided into five sections which areintroduction, conclusions and a total of three chapters:In the introduction: stating the purpose and significance of the topic,current research and research methods.Chapter I: narrative the origin of “Majnun” image, the process ofchanging as “Layli and Majnun” Dastain and the writing process by thefamous poet of the East, meanwhile, evaluation of this image in the worldliterature, especially in Oriental literature.Chapter2: Mentioning the possibility applications of "Imagologie" inthe Uighur literature research, as an example, analysis the process of“Majnun” image’s into the Uygur Literature, changes in the Uyghurliterature and the development process.Chapter III: analysis of the image of “Majnun” contained nationalculture elements, discussing the whole process how Majnun’s imagebecoming nationalization and localization in the Uighur society and inUighur culture after the foreign image into the Uighur literature.Conclusion: summarizing the preliminary research results andshortcomings of the topic, and put forward opinions and suggestions relatedto this topic in future research direction.Because the difficulties of reading the Alixir Naway’s “Layli and Majnun”,I compiled “Chagatai language-modern Uighur Dictionary” for thereaders In order to integrity and persuasive of my research, I collected the word of“Majnun” in the Uygur12Maqam.