Ponder The Development Of Inner Mongolia Scenery Oil Painting

Oil painting scenery in Inner Mongolia Inner Mongolia painting as animportant subject categories, through to the combined efforts of severalgenerations of art workers, after60years of growth, booming ushered in thebeginning of entering the new century. Geographical environment and thevast grassland of Inner Mongolia of humanistic spirit is the twocornerstones of oil painting landscape development in Inner Mongolia. Isthe inexhaustible source of creation. Oil painting scenery in keeping thenational and regional features of Inner Mongolia, on the basis of sincere toexpress true feelings, insist on the independence of the artistic creation, andthe inheritance and innovation is the development of the oil painting sceneryin Inner Mongolia. Also is inevitable. Looking back at the past looking tothe future, you will find Inner Mongolia scenery in Inner Mongolia isinitially realistic realism painting forms. And today, the realism oil paintingscenery in Inner Mongolia is still the mainstream of the creation method,but in the aspect of artistic style forms, types he presents the representation,image, expression, abstract, etc. Diversification trend. Art if lack of culturalconnotation, to a certain degree will stagnate, is engaged in the painting ofInner Mongolia artists and art workers in painting techniques andprofessional knowledge, at the same time to improve their cultural literacy.So as to keep pace with The Times, the individual’s painting creation talentwill have more vitality and creativity.At present, the inheritance and innovation in the field of painting isalways moving forward. In passing on the premise of Inner Mongolia artworkers need to through the study of style and concept, study paintinglanguage and study a variety of sources such as regional culture and thehumanities to innovation and development of Inner Mongolia scenery oil painting. But the development of oil painting are not out of the features ofoil painting itself-its the meaning of space, volume and color. If oilpainting innovation from these features, it loses the type traits and aestheticcharacteristics. Also murders the personality of the arts, art does not havethe diversity and richness. So innovation is a relative term. It conflict withtraditional painting is not divided, but down. This article overview from fivedifferent times to oil painting scenery in Inner Mongolia developmentcourse, and from the humanities factors, natural factors and regionalcharacteristics, creative methods and artistic style and so on various aspectsto discuss and summarize the overall characteristics of oil painting sceneryin Inner Mongolia and the face, think and prospects and prospects of thedevelopment of oil painting scenery in Inner Mongolia.