Contemporary Dance Of The Mongolia Nationality And Tibetan Dance Art Style Comparison Analysis

Mongolia dance and Tibetan dance as a branch of the national folk dance, in addition to the unique national character, and the regional characteristics of height, which enrich the theory of Chinese folk dance, but also adds new features to Chinese traditional dance class. In recent years, information fusion for ethnic dance brought new opportunity, also facing the loss of individuality, vulgar personality challenge. It is of great relevance and inheritance of folk dance unique national character and national spirit, to inherit and develop the essence of the dance, first clarify the types is particularly critical. Because the Chinese national folk dance content rich connotation, wide variety, this paper will take the Mongolia dance and Tibetan dance as an example, from the aspects of Mongolian, Tibetan dance to the survival of the ecological environment, dance style and vocabulary, different stages of development, the aesthetic activities and aesthetic value of Mongolian, Tibetan Dance, necessity and the necessity of investigating internal inheritance.For two more clearly distinguished and explained, the dance form, regional characteristics, dance development from the dance, a comparative analysis of the dance of the Mongolia nationality and Tibetan dance, in the description of the dance works at the same time, from the artistic style and personality of ethnic dance outsider perspective the. Comparative study of dance in my case, from the dance creation of the humanities foundation carries on the analysis to the typical dance repertoire, explore the Mongolian, Tibetan dance occurs when the commonness and individuality of art. This paper aims to develop Mongolian, Tibetan Dance inheritance and development of the new road of the future, then to the Mongolian, Tibetan dance cultural background, artistic style and meticulous analysis has become a necessity, in order to dance in the innovation with the "standard". The thesis firstly identified errors of contemporary dance in the creation and stage performance, the classroom techniques, the inheritance and development of folk dance art style, should be based on the aesthetic habit of keeping pace with the times breakthrough, the Mongolian, Tibetan dance talents with academic value, but also provides a theoretical basis for sustainability the development of Chinese national dance.This paper is divided into three chapters. The first chapter through the study of Mongolia Mongolian and Tibetan dance of the ecological environment, to explore different ecological characteristics of Mongolian, Tibetan Dance show. Interpretation of Mongolia Mongolian and Tibetan dance culture and background of the creation process, we analyzed two geographical landforms, mode of production and the customs and habits, in order to peep at the Mongolian, Tibetan dance of relationship with the creation of ecological background. In order to compare Mongolian, Tibetan Dance national character and artistic characteristics, to provide a strong theoretical basis. Exploration of Mongolian, Tibetan Dance national aesthetic habits, mining national character contains the folk dance and human spirits. The third chapter is mainly on the Mongolian, Tibetan dance works of analysis and comparison of different age, with comparative analysis of representative works of, a dance style changes shown in different periods, the characteristics of the times and the dance works. In the contrastive analysis of the Mongolian, Tibetan dance art style, aesthetic style and the development path for the ethnic dance, research into other ethnic dance art style, to provide reference and reference. The last chapter is the conclusion part of the full text, in the analysis of "degree" in the national dance in the role of rational scale, thin Mongolian, Tibetan dance performance and the creation of the standard. This paper analyses the Mongolian, Tibetan dance development, put forward some constructive suggestions for the inheritance and development of Mongolian, Tibetan dance.