The Research On Creative Artistic Of Lin Haiyin’s Novel

As a famous modern female writer, Lin Haiyin has a unique creative personality. She grew up in both mainland and Taiwan’s life experience; after reached adulthood, she became a writer, editor and publisher. Her work was full of mutual affection towards her hometown, with feminine tenderness and warmth.The May4th movement influenced Lin Haiyin. Like a sponge, she absorbed the new, old double-sided information. During the turbulent time, these experiences became her source material, inspiration. She was known for shaping female figures from different classes, also writing a lot about tenderness and pain between men and women. She showed extra sympathy in those women who suffered from transiting from periods. She was specialized in dealing with delicate feelings and realistic content. She combined the oriental and western fiction skills together; wrote straight through women’s hidden scars. Using more enhanced story line to reveal the inner activities of the characters and to show the complication and the integrity of characters.Using her unique women’s eyes, Lin observed women in marriage in the transiting period. Based on the sorrow situation the society has put on the women, she used more sympathetic tones. Although most her works were tragic plots, between the lines was permitted with warmth and touch, the bitterness of tragedy increased the comforting touch of sweetness. Because of this, Lin’s art world was unique. Female characters under her pen were always forgiving person, silently endured all the pain, but full of love. No matter how big the unfortunate encounter was, there was no angry complaint or protest, that was Lin’s writing style. She fully exposed the sadness, the frustration of the old society’s marriage system and accused the uncertainty of the tragic fate. There was no strong or passionate language, only the calm and restrained writing style and open-minded outlook on life were embodied in her works. Reading her novels, there was an elegant natural charm. There was no exaggeration of rendering, no grant grief talk; all it had was the true, plain emotion and poetic calm atmosphere. It enhanced the artistic appeal, which made her works more memorable.In addition, she made a huge contribution to children’s literature in Taiwan. Her children’s fiction were said to be more realistic and life-experienced. She used her or the children’s perspectives to narrate the hypocrisy and bitterness of the adult world. Also she embodied as the characters in the story—the teacher, which made the novel permeated with strong educational colour, but also tried to avoid the homiletic tone, instead used more implicit way to play the role, influenced character by environment. The language was lively and interesting, natural and smooth. This was also her writing style in children’s fictions.