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Haruki Murakami Novels’s Film Imagination And Adaptation

Posted on:2013-04-29Degree:MasterType:Thesis
Country:ChinaCandidate:X Y ZuoFull Text:PDF
GTID:2255330401463824Subject:Comparative Literature and World Literature
Abstract/Summary:
Haruki Murakami as a contemporary Japanese,is the most creative and influentialwriters, in addition to highly reader to favor, has been the concern of scholars. In the study ofhis work,a large part of scholars have noted that Haruki Murakami was influence of elementsof western culture, and his work shows strong modern elements, these studies have achievedfruitful results. But in these works, few people pay attention to the relationship of HarukiMurakami’s novels and movies. Even though there are very few people see a little light, andmost keen to talk about the movie adaptation of Haruki Murakami’s novel, are rarelymentioned in his creative process in the not self-conscious use film of thinking. Thiscombination of film elements of narrative techniques largely contributed to HarukiMurakami’s works is the unique charm of style key factors.This paper tightly around the Haruki Murakami novel creation movie narrative thinkingthis clue, combining Haruki Murakami numerous representative novel to launch theelaboration, in-depth analysis of the" Cinematic Imagination" in the text is how to show. Andthrough reflection on the movie adaptation of Haruki Murakami’s novel the gain and loss todemonstrate the unique charm of literature lies in its mysterious reasons, are available for freeimagination space. But also from the creation of Haruki Murakami’s successful cases to learn,that literature to present visual culture and mass consumer culture shock your way, to retaintheir own literature and foster strengths and circumvent weaknesses, absorb anything andeverything, the integration of multiple art skills, out of their broad road.Literature and film belong to two different fields of art, from the two aspects ofcomparative literature study is consistent with cross-cultural research category, therefore has awide research space, also it is easier to obtain new results, have great research value.Literature has been spread to oral or written records for the way of existence, while the film isbased on image as expression, literary aesthetical factors transfer to influence, with picturesand sounds to aesthetic subject new reading experience. Now many young writers are favoredby many filmmakers, film comes from the adaptation of literary works. The film in the form,form and theory and narrative literature is very close, but the two is the difference. The film isbased on the characteristics of the image of the expression means, through the external imageeffect on the audience ’s sense, is a kind of intuitive, external art, and literature is throughnarration and image description in the reader’s mind, is a kind of reflection, internal art.The introduction part, elaborated in this thesis selected topic reason and significance ofHaruki Murakami’s works, introduced the system of domestic and foreign research presentsituation, because his works translated spread wide, data collection is difficult, so the foreignresearch situation only selected author native Japan as a representative. The first chapterbriefly introduces Haruki Murakami and her works, and works of film elements. As the mainpart of this thesis, the author first described by the film elements are defined, and straightenout the relationship between film and literature change to illustrate the current film narrativetechnique influence on literature the dominant fact. The second chapter from HarukiMurakami’s creation background and Contemporary Japanese culture atmosphere, as well asthe authors’ own film on the preference of these aspects, specific analysis of the HarukiMurakami film narrative style and work in film factors. The third chapter through the reflection of the works of Haruki Murakami for the filmadaptation of the failure case analysis of literature and film, the difference and the relation,that literature in culture under the impact of the unique charm of the root is still. Also a deepreflection on Haruki Murakami’s the secret of success, it is the literature should be inconjunction with other arts from each other during the course of play spirit, absorb anythingand everything, to realize their own innovation and breakthrough, and stick to the essence ofthings, and so the party can withstand a variety of challenges, with greater charm, and its.
Keywords/Search Tags:Cinematic Imagination, literature feature, film adaptation, HarukiMurakami
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