Emotional Theme Of Tang Xianzu’s Poetic

As the greatest dramatist in Ming dynasty, Tang Xianzu’s "jade tea four dreams", drama aesthetics and poetics theory has a far-reaching influence on later generations. This article attempts from the perspective of poetics, aesthetics, to Tang Xianzu thought origin, aesthetic connotation of "emotion" with its theory value and limitations of thorough system analysis. The full text is divided into five parts, the main contents are as follows:The first chapter discusses the ancient sensibility of rheological theory, from the relationship between "emotion" and "chi" Angle, to qin, wei and jin dynasty and late Ming dynasty the three historical stages analysis of the development of the ancient theory of emotion. The second chapter discusses Tang Xianzu "theory of emotional aesthetic thought theory origin and aesthetic connotation. He and an important representative of taizhou school li, generation of sangha li zhi has resilience and made teachers and students, by recording or making, admire, with their collision and fusion of ideas from concept gradually formed their own theory thought and poetics.Tang xianzu "theory of emotional aesthetic connotation compared to previous generation has its unique innovation side, in this section will be around the content of the performance, namely" the truth "; Affection performance level, that is "love"; Emotion expression way, namely the "dream" three aspects to analyze the aesthetic connotation of Tang Xianzu’s "emotion".In performance content, degree and the performance way to interpret his emotional connotation of the theory of three levels, are more clear and sharp. The third chapter emphasizes the Tang Xianzu "theory of emotional impact on the Ming and qing dynasties drama theory creation.Tang Xianzu plays a celebration of the true, the twists and turns of the storyline of irregular change and play with the characteristic of the dream for art gimmick, cause later they admire many playwrights, such as Pan Zhiheng Meng Chenshun, hong sheng and so on, were showed in the drama creations of Tang Xianzu chasing us. Hong sheng and Meng Chenshun of Ming dynasty and qing dynasty is benefited from Shang Shi thought is more prominent. After discussed its theory of positive influence, Tang Xianzu "emotion" in the fourth chapter will analysis the deficiency of aesthetic thought and explore the cause for his thought limitation.