The Chinese Landscape Painting Composition Form Beauty

In this paper, through the study of traditional Chinese landscape painting, in recognitionof review of ancient painting theory based on above thinking, and guide the Chineselandscape painting aesthetics, from the history, culture, ideology, geographical aspects toclarify and discuss the characteristic of Chinese landscape painting. Graphical beauty. Fromthe comprehensive study of the whole to the part of comparative analysis to the phenomenonof reduction, and to extract the characteristics and rules of Chinese landscape paintingcomposition. Based on the review and study of traditional, give us a deeper understanding tothe broad and profound traditional Chinese landscape painting ideas and splendid. Chineselandscape painting by the sprout and development so far, in the process through a longdevelopment, evolution, and development, its theoretical system and schema rules have beenformed and developed to maturity, and also has the connotation of Chinese traditional culture.Chinese landscape painting composition form to the conception of "fixed scene, anddeveloped an" as the basis of cognition and operation principle, after the development andcreative practice of ideological theory, has become an important part of our in the art ofpainting, and has its unique beauty of form. Outstanding works of art is inseparable from thecomposition form layout reasonable, it occupies an important position in the painting, or evendirectly affect the success or failure of the works. This paper is divided into four chapters tothe formal beauty of Chinese landscape painting is analyzed and expounded. The first chapteris mainly on the form of landscape painting in the history of the development and evolution ofcarding process. The second chapter analyzed the manifestations of the composition form inthe theory and the practice, and expounded the basic rules of composition form of landscapepainting. The third chapter, from the historical background, the individual self-cultivation,regional differences and the traditional philosophical thought on Influence Factors of differentcomposition forms generated. The fourth chapter on the landscape painting innovation problems, and should be based on the traditional reference, integration of foreign elements ofpainting and direct method to rich natural Chinese landscape painting composition formbeauty in the creation process.China’s traditional cultural idea must be the development of national painting and basedon the foundation, if we cannot clearly recognize that this point, then in the future direction ofartistic creation, including the western culture and world culture from the melt, will cause thelost, lost their. Whether Sheikh’s "the operating position" or "structure" now, of which areabout the picture frame and screen problem. Chinese landscape painting composition form isnot only the creation of methodological problems, but also includes Chinese cultureconnotation and philosophy rich aesthetics thought.