Contemporary Chinese Landscape Painting In The Style Of Study

Since oil painting was introduced into China, after decades of style changes, the Chinese oil paintingcontemporary has a new look. Oil painting is the initiation brought about a great wealth, there is such aprocess to accept always foreign objects, is not completely imitate learning--learning selectively, masteryof a skill or a real understanding of art, we must first of all to achieve the creative breakthrough, the onlyway to an art palace, in order to have a higher level of spiritual pursuit, oil painting in Chinesecontemporary has been developed to this stage.Based on the study of contemporary Chinese landscape oil painting freehand brushwork in time, firstin a logical sequence of time to painting and landscape painting in the course of China’s development tosort out, analyze from the two aspects of modern painting and landscape painting creation and developmentand contemporary painting and landscape painting development, and selects the most representative thepainter in each time period. Mainly analyzed from the painter’s living background, art aesthetic, artisticconnotation and representative works of several aspects of this. Impressionistic landscape painting in thedevelopment of China is not so clear, only in the development process of the macroscopic control. Study offreehand brushwork painting to specific performance based on the concrete manifestation, is divided intothe form of expression and the expression of ideas of two parts. Expression is embarks from the visualpicture effect of external form, with the entire picture frame, enjoyable performance analysis, modeling andcolor space. This part of the expression of ideas, summed up the freehand brushwork in traditional Chinesepainting in the two features of expression thought: objective and subjective abstract. After analyzing thesephenomena to trace to its source, to explore integration of Chinese contemporary oil painting freehandbrushwork and the concrete causes. The causes are from the East and west two deep philosophy of art indifferent cultural background of mining, the times attention to art and culture integration also need to traceback to the traditional at the same time, in the longitudinal time cues and horizontal spatial cues, integrityof trying to find question research.Thousands of years of Chinese nation rich traditional culture, adumbrative or inspires powerfulintegration of multiple ethnic culture and art. Freehand landscape painting in the sex is the best interpretation of the East and west two cultural integration in the new era in the art of painting. Freehandlandscape painting in the traditional art in the present is in the environment of an extension anddevelopment, an abstract representation is the art of painting, is the western oil painting and creativebreakthrough. Freehand landscape painting, created a with the aesthetic emotion, in the premise of thetraditional art foundation, aesthetic people forced to constantly changing, so they have an aesthetic feelingsrelative should be issued with the age of the aesthetic emotion, free volatile demands, on the West Park tophysical aesthetic the difference of the fully inclusive and equitable, on the development of contemporaryChinese art aesthetic creative breakthrough. The change of aesthetic emotion is also doomed to landscapepainting freehand brushwork in traditional Chinese painting development, to seek changes in the balance intime and space. This article carries on the analysis in the style of landscape painting time, attempts in thetwo-dimensional space within a limited Express beyond space-time concept of Chinese artistic conceptionto the depth, rather than simply as a vassal of a form of media. Find a fulcrum freehand landscape paintingin Western painting space concepts, in the same medium, space rhyme Yi has been greatly extended, in thissection will orient means rational structure of com. Three-dimensional beauty of romantic charm andprofound in the west. Freehand landscape painting of Western painting development form and the form andconnotation of the added fresh exotic, it tries to reconcile the two big differences in cultural backgroundand artistic atmosphere. Based on the analysis of development course of oil painting freehand brushwork,explains the optimization of freehand brushwork internal and external form research, starting from the rootof Oriental Art Spirit theory, the essence of traditional Chinese painting for detailed analysis. Throughoutthe history of the development of oil painting, freehand brushwork form and content of the subversivenature sense. Not only in the form, is a kind of abstraction for other emerging, extreme displays in itsconnotation is a leap of. In this paper, for freehand contemporary oil painting created with unique Chinesepainting artistic charm.