Buddhist Sculptural Aesthetics Of The Southern And Northern Dynasties

When the Han Dynasty Buddhism was introduced to China, to China later in thesculpture aesthetic influence is very big. Especially in the Wei Jin Southern andNorthern Dynasties period, the frequent wars, ethnic conflict intensifies, and from thewestern regions Buddhism and Chinese classical culture of Confucianism and Taoism inthe collision in the intersection, and gradually penetrate into the period of formation ofthe thought of metaphysics. Thereafter, the growing prosperity of Buddhism, andgradually changed since Qin and Han Dynasty sculpture aesthetic development.Subsequently, due to the rise of literati sculpture, national aesthetic and India Buddhastatues carved fusion, prompting Jin and southern and Northern Dynasties statuescarved building has undergone a series of changes in the process of. In the earlyBuddhist statues carved also can be seen obvious India Gandhara and Gupta Buddhistart features, but in the middle of the grotto art carved Buddha carved Chinese havebegun to appear in the local characteristics, in the Wei Jin Southern and NorthernDynasties the late Northern Dynasties period, Buddha carving appeared " show boneand clear like ". Chinese charm. In the Wei Jin Southern and Northern DynastiesNorthern Qi Dynasty statue of late development, also to the Sui and Tang Dynasties andeven later sculpture aesthetics has produced important influence. This study is from theviewpoint of Buddhism is introduced into China, Buddhism was introduced into Chinain the Wei and Jin Dynasties sculpture aesthetic influence on Chinese sculpture history,carding a good lead.This paper is mainly divided into five parts. The first part of this thesis is theintroduction, mainly elaborated the research background of this topic and the researchsignificance and research history review, and then expatiates the research contents,research methods and innovation. The second part elaborated the Wei Jin Southern andNorthern dynasties before the Chinese sculpture aesthetics, including the rise of theChinese sculpture, the sculpture and its different aesthetic features and the introductionof Buddhism in China and the process of the early Eastern Han Dynasty Buddhistsculpture aesthetic features. The third part elaborated the Wei Jin Southern and NorthernDynasties Buddha carving the prosperous reason, including the Wei Jin metaphysics prosperity with a combination of Buddhist culture, literati statue rise and its aestheticcharacteristic and the Wei Jin Southern and Northern dynasties ruling class attitudetoward Buddhism and the Buddha carving aesthetic effects. The fourth part elaboratedthe Buddhism in Wei Jin Southern and Northern Dynasties sculpture aesthetic effects,including the early Buddhism Statue Figurine art characteristics of India, the termBuddhist statue appear Chinese localization characteristic, the late Northern WeiDynasty Buddhism statue "show bone light like " development and the NorthernDynasty Buddhist statue sculpture aesthetic effect in the Sui and Tang dynasties.