Wei Jin Northern And Southern Dynasties Buddhism Music Characteristic Research

Weijin South and is the nation during the Great Schism in Chinese history, to the Battle of the chaos, the northern nomadic tribes have the south, have set up a separatist regime, the Central Plains region into a split, the war-prone, social unrest, epidemics, displaced people, mental hardship. It is precisely this external turmoil in society, gave Buddhism, including Buddhist music to provide a lot of room for development. Heals the mind and heart Sining of Buddhism, especially Buddhist music its unique light, soothing style of direct invasion of people’s hearts, in the exchange process of the heart and the heart of Buddhist music, society is gradually split move toward unification of all ethnic groups in the fusion of seeking common ground while reserving differences, and laid an important foundation for the reconstruction of the unified empire.Based on the above reasons, to the nation during the Great Schism Wei as the starting point, the focus to explore Buddhism and Buddhist music as a foreign culture is in how the social context of survival and gradually developed, but also how the great nationalSouthern and Northern Dynasties split this fertile soil, the dynasties of rulers of all advocacy and the transformation of the monks, and finally developed into a local Chinese style characteristics of Buddhism and Buddhist music. First, this paper discusses the background of Buddhism and Buddhist music of the Southern and Northern Dynasties and the survival of the state. Explained the background of the Wei, analyzed the reasons for the flourishing of Buddhism in Southern and Northern Dynasties spread and made the corresponding comb, by the way of transmission and dissemination of Buddhist music. Then, Buddhist music in the form Sanskrit chanting conducted case studies to clarify the Indian Buddhist music incoming and integrated into the many changes taking place in China. The chanting of music from the exchange of geographical, linguistic, and cultural aspects, through the process of mutual absorption, with Chinese colors of the Vatican chant evolution. The first two points on the basis of this paper the characteristics of the Southern and Northern Dynasties Buddhist music-transitional made more in-depth and meticulous research, in order to fully recognize the artistic value of the Southern and Northern Dynasties Buddhist music.