Henan Han Dynasty Tomb Murals Modeling

Han Dynasty tomb murals not only show an integral part of the superb Plastic Arts of the Han Dynasty,China’s early painting development process. Han Dynasty murals plastic arts image depicts a totem of theHan Dynasty, clothing, social life scenes, but also reflects the social customs and cultural worship of theHan Dynasty tombs. In Chinese art history, especially the history of the Qin and Han Dynasty paintingsplays a decisive role, also marks the the system initial formation of the local culture of the Chinese nation.Central Plains region is one of the most important of the Han Dynasty burial tomb murals distribution area,it is mainly based on the the Luoyang primary land, including Zhengzhou, Gongyi large part of the place,as well as Hebei, Shanxi, southern parts of. Luoyang was the capital of the Han, whether in all aspects ofthe geographic, economic, and political trends and transport are superior to the other regions, this area isthe Han Tomb mural painting of the most active areas. All the Han in the Central Plains Han Tomb numberis far greater than in other regions, its age also covers the period from the early Western Han Dynasty to thelate Eastern Han Dynasty, and can even reflect the entire tomb murals development and evolution of theplastic arts, has a strong artistic characteristics and the iconic role. The Henan Han Tomb murals areimportant historical relics of the Han Dynasty art, which depicts a colorful world of the Han Dynasty,showing the richness of the subject content of the mural art of the Han Dynasty, clever ideas and the skill,to show the shape with national native of Henan artistic characteristics.The paper is divided into four parts. The first part describes the manifestation of of Han thought inHenan Han Dynasty tomb murals in the plastic arts. First expounded the concept of the soul of the earliestperiod of human thinking of Henan Han Tomb murals, plastic arts, and then expounded the pre-Qin andHan Dynasties Taoism, I believe that the existence of the soul thought and Confucian filial piety,Shigeyoshi thinking of Plastic Arts of the Han Tomb murals, and these thinking of murals manifestation of.At the time, these ideas firmly established, they directly affect the thematic content of murals in the tombsof the Han, composition layout and how to influence from the Western Han Dynasty to the Eastern HanDynasty the entire tomb murals of the plastic arts development and change, these ideas become a Han tombmurals the dominant ideology. Immortality of the soul concepts and fairy faith, profoundly reflects the the the Han Tomb mural art is an important part of the Han Dynasty graves Art. The second part describes thechanges in the Henan Han Tomb murals plastic arts, summarized the origin of the mural, and went on to theHenan Han Mural Tomb plastic arts timing of partitioning the case murals plastic arts comparative study ofthe same period. Contains murals plastic arts from Dangshan Kakizono of Han Tomb, the early WesternHan Dynasty Mans, to killing a tiger Ting Han mural of the plastic arts in the Eastern Han Dynasty to theHan and Wei, the content layout murals from the Han Tomb, to the mural. expression of the theme, the useof lines, painting techniques and other aspects of the comprehensive study and comparative analysis. Thenthe Central Plains region tomb murals in other regions of the plastic arts. Han Dynasty tomb murals theterritorial partition profile, briefly each geographic region murals distribution as well as an overview of theplastic arts, as well as each region by the Central Plains Han Tomb murals plastic arts of the extent. Thethird part discusses the characteristics of Henan Han Tomb murals of the plastic arts. The theme of thefresco, composition and shape, lines use comprehensive set forth the characteristics of the tomb murals ofthe plastic arts. Followed by an analysis of the Tang Dynasty the Han Tomb murals, plastic artscharacteristics, and its evolution on the basis of Han Tomb murals. The fourth part of Henan Han Dynastytomb murals plastic arts of Chinese painting. The last part of the conclusion, concludes the paper, furtherelaborated the of the Han wall murals plastic arts in the history of painting an important historical value andhistorical status, emphasizing the significant artistic value of this important historical and cultural relics.