Qing Dynasty Figure Decorative Knot Forms And Patterns

Knot decoration parts as the crowning touch of the decorative parts of the Qing Dynasty, is an indispensable part of the Qing Dynasty decorative parts, This article is from the basic forms and patterns characteristic of the Qing Dynasty character decorative knot in two aspects of the Qing Dynasty People decorative knot more systematic study. This study to some extent, improve the decorative parts of the Qing Dynasty of the theoretical system, can provide the basis for decorative applications for the restoration of the decorative parts of the character of the Qing Dynasty and modern antique furniture parts.The basic form of the Qing Dynasty characters decorative knot, a case-by-case analysis and induction, by analyzing the style of the outer contour of the form of forms, summarized the morphological characteristics of the external contour shape; internal patterns by analyzing the form of forms style, summed up the internal patterns the morphological characteristics of the form, to arrive at the basic form of the law of the People in the Qing Dynasty decorative knot. Studies have shown that:quadrilateral class and approximate-quadrangular class knot visual identification of the external contour form, static modeling, decorative vacancies to fill more than the rales, the special form of classes and outline form, knot complex shapes, shape dynamic, multi-fill more irregular decorative vacancy; single internal patterns form patterns internal morphological characters as the main body, layering is weak, the characters are usually centered distribution the double patterns internal morphological characters between primary and secondary clear, strong sense of hierarchy, the characters are usually tied superimposed on the distribution, more than patterns of internal morphological characters between the primary and secondary is not clear, strong sense of hierarchy, the characters are usually parity everything is distributed.Decorative knot patterns characteristic of the Qing Dynasty characters, case-by-case analysis and induction, summed up the three patterns by analyzing the style of fairy character patterns, patterns of opera characters, and folk hero patterns of morphological characteristics, to arrive at the figures in the Qing Dynasty decorative knot patterns characteristic law. The study showed that:the immortal character patterns, the expressions of the characters solemn, well-proportioned physique often paired echoes, clothing spacious, rustically decorated fold density, People static performance, the main expression through different fairy image held a special object; patterns of opera characters, the expressions of the characters in line with the characteristics of the role, facial mask characteristics, clothing suitable for stature, usually decorative cumbersome, with drama dress features, mostly for opera story show the corresponding force, the main expression mainly through the characters body and dress for setting; folk hero patterns, expressions of the characters joy, facial rough characterization, clothing daily life, soberly decorated fold dilution, the same patterns often dependent movement momentum performance relationship, a strong sense of the scene, the main expression mainly through the characterization of the common folk life of appliances and the life of the characters set.