Study On The Folk Characters In Mo Yan Novels

The paper attempts to start from the relationship between Mo Yan’s writing and the hometown, the traditional, combined with his "as peoples writing" s writing position, make a comprehensive research on the folk character in Mo Yan’s creation.In Mo Yan’s works, he not only put the high familiar Gaomi in his novels, the everything Gaomi has not also be moved into his novels by imagination method. In his literary Kingdom, those people, things and everything has gone beyond the density range, all performance has become one of the most common human feelings, through his personality Gaomi, we show some similarities to human, which realize the hometown of transcendence.With the creation of the increasingly mature, he put forward " as people writing’ slogan, to refute the negation of "false folk writing attitude", think "as people of writing" is a kind of writing mentality, only to put myself in and ordinary people a kind of position, and strive to be oneself as a part of folk, to feel the real write one true folk.When aware of Western literature cannot reflect national characteristics, Mo Yan bravely to the traditional "great retreat", in western literature to the learning state, proceed without hesitation to embark on the road of returning to traditional, modern western literary techniques skillfully with Chinese traditional art together, formed its own unique narrative way, implementation the transcendence of the traditional narrative."Sandalwood punishment" is Mo Yan beyond the typical traditional narrative text, he will "crested, tripe, leopard tail" of the traditional narrative structure and GuXiangxi alum cavity languages combined, by storytellers like the speech off the reel, tells the story of a legendary folk anti hero story. While the western literary techniques such as clever use of perspective transformation, such as the description of psychology, make his description beyond the old mode of traditional narrative, formed its own unique folk narrative form.