The Actual Situation Of The Tibetan And Chinese Traditional Painting Technique Of Expression Characteristics

Tibetan and Chinese traditional art of painting has developedindependently of the historical context, while there are merging witheach other to absorb learn from each other, forming a painting techniqueof expression with its own unique look for. Since the7th century TibetanBuddhist art and Han Art, Chinese Buddhist art began to exchange, overa long period of continuous exchange of two-way integration to promotethe development of Chinese and Tibetan arts. Within three years of studyto learn the theory with practice, I more clearly recognize the uniqueTibetan traditional painting religious language and expressions.Comparison of Chinese and Tibetan traditional painting form language,expression, aesthetic and other similarities, the lead author raisedquestions about the terms of the actual situation of the Tibetan and Hantraditional painting traditional painting technique of expression ofconcern. Features of the actual situation of the Tibetan and Chinesetraditional painting technique of expression depth exploration, first, themacro outlook and customs area, blue skies filled with smoke and othervisual and intuitive view of the actual situation of everyday reality;Secondly, the history of Tibetan and Chinese traditional painting appearseach paintings dealt support ideological core of its development, retroactive to produce the actual situation of different internal aestheticorientation theory; once again, around the history of painting in thetraditional Tibetan painting artistic features five initial formation as wellas the painting, and this same Chinese traditional painting appearedduring the Buddha painting, especially comparing performance practicesin terms of the actual situation; Finally, regression analysis of the localTibetan and Chinese traditional painting detail representation of theelements: drawing materials and processes, modeling language and theway the picture to convey the mood and meaning, etc.; through the useof the above four aspects descending traced to a focused analysis of theperformance of the actual situation of the Tibetan and Chinese paintingtechniques in terms of their characteristics of dialectical point of view.Finally, the integration of the actual situation summarized abovementioned aspects of Tibetan and Chinese traditional painting differencesand connections to the actual situation on performance techniques forpainting viewpoint to the period associated with the history of Tibetanand Chinese painting artist painting the reality performance practices ofargument, text theory draw on the history of painting is logic to thepractice of combining theoretical comparative study method to write thearticle.