Between The Misery And The Belief

Chen Ying-song is considered as representative of the bottom strata literature, especiallyhis Shennongjia series of novels is a typical text of the bottom strata literature.Literature hasconcentrated on the bottom strata for a long time in terms of its life and characters which hasbecome one of the major subjects for literature.In recent ten years, the bottom strata literaturecreation expressed the strong realistic spirits of directly confronting the reality,its meaning isconstantly emphasized, and its limitations are also gradually emerged.In mysterious and fullof trials and tribulations of the Shennongjia, he main description of those living in the bottomof the mountains Shennongjia people survive the hardships of the situation and mentaloutlook.On the one hand,the death and violence make people pay more attention to the bottom;on the other hand,Chen Ying-song also asked the suffering behind the spiritual significance,create a mysterious atmosphere to awaken people fear of inner spirit.The first explores how to shape the bottom and have a complicated emotion. the identityconfusion and anxiety of understratum intellectuals and thespiritual rheological of individuallife suffering from miserable reality He not only describes the tribulations of the bottom,butalso explains the reasons.The second chiefly studies the death in his Shennongjia series of novels.According listlots of death in his novels to analysis the reason of death imagery.The third mainly analyzes the way to disentangle the miserable reality.Chen Ying-songemphasis the spirit of miserable.He built a spiritual belief space for the bottom strataliterature,he called it “reverence for life”.The fourth mainly discusses the significance and limitation of Chen Ying-song’s literarycreation.On the one hand,Chen Ying-song through the misery description makes people’s sightfocus on the bottom. On the other hand,Chen Ying-song cannot provide effectively way inreality,this is not only Chen Ying-song’s,but also is the bottom strata literature’s boundedness.