Look From "Journey To The West" Trilogy Of Wulitou

Hongkong from the movie was born in second years in1986, shows theLumiaierbrothers "factory gate""as the train pulled into the station""water" and other films.2yearslater, American company Edison sent a photographer to shoot the film in Hongkong,including the "Hongkong government""Hongkong Street", the people of Hongkong soilcustoms documentary. After that, Hongkong people began to film his. In twentieth Century70time, Hongkong films to the world film does Bruce Lee hard Kung Fu movies. In themovie industry, Hongkong has many helped Hongkong film to the century world levelmaster, in addition Hongkong developed the film industry, also cultivate skilled workers forthe film, including those skilled in the screen film actor smart people. But the most with thetable of, can be said to be,90’s "double Monday", today, they still play a heat. This one ofthe main research fortnight in Stephen Chow. As an actor and a filmmaker, he gave theHongkong film has brought a new style of comedy, that is nonsense.About "Wulitou" explanation at present most is: no cause, no purpose, no origin, nologic, make it difficult to understand. Because of the deep meaning of Stephen Chow’scomedy movie style and skills and "Wulitou" have similarities, so people with "Wulitou" todescribe his style, Stephen Chow’s film is defined as "nonsense" movies, Stephen Chow hasthus become the "Wulitou" spokesman.The most popular time for nonsense in the early90’s,"God of gamblers""Tang Bohu""Lu Dingji" Chou "is dead grass", that have high box office. However, in Hongkong after97, Hongkong film seems to be lost, can not find their own culture and art position, therewas a period of time, you either don’t do funny, or make a want success does not make sense"a Chinese tall story", but did not last, it eventually gained a masheng.But Stephen Chow, still adhere to, and seem to do better. This year’s "westward journeyalone the article" perspective. In the first half of domestic movie box office hand, it showsStephen Chow’s appeal. Not to mention before the "Kung Fu" and "world famous YangtzeRiver seven" of the film. Therefore, no vitality still exist, especially after the development of more than tenyears, we find that he can make movies get vitality through the organic combination andother art forms in the film. We should pay more attention and protection of nonsense, for thedevelopment of film art form of its existence would be beneficial.