Combination Of Chinese Traditional Painting And Drawing Artistic Form Of The Perfect

In the history of the development of traditional Chinese painting and calligraphy,"theinscription as a very popular art phenomenon and features, is a very important type of thecombination of " writing "and" painting ". namely: inscribed, usually for the paintings andinscriptions. Which are mostly refers to the paintings of ancient fan, album, silk, paper andscrolls and other materials. Inscribed on the works above text to show in front of the viewer,appears in the form of "calligraphy", we call it "Paintings book traces" or "inscription". Withthe continuous development of Chinese culture and art,"Poetry","text","book","painting","seal" several major art form constantly organic blend, the work tends to improve. Inscriptioninterpretation plays a painting theory, perfect works, lyrical Da-Zhi, reviews the importantrole of the painter, etc., for painting itself also very important composition of significance.Very early literati painting, but to the Song and Yuan Dynasties regarded as mature,experienced thousands of years of history of evolution, turns out to be an endless stream ofcolorful."Poetry" book "printed" art form is also profound in the continuous development ofthe course, it is combined with painting, from converted by the utility for the arts, windingpaths and endless. Culture in the process of development of the Chinese literati painting, rareexperience each period of the Tang, Song, Yuan, Ming and Qing dynasties, then to theprevalence of literati carving from India seal Yufu Connoisseur open from all walks of lifeConnoisseur of wind to seal cover of bureau funds India Appreciation "Poetry","book","painting","Indian fusion gradually tend to improve.""Poetry","book" literati painting "painting" Indian "merging experienced unfamiliar toconstantly improve the long journey. In this long process, the harmonious combination of thetwo produces far exceeds any party to a separate special aesthetic connotation, and thus theconcept of thinking of the landscape painter, and the formation of a more mature one seal ofthe theory and principles to cope with the painting. Specific to certain works, there will beclose to the combination of printed and painted the form of harmony; the literati painters musttake into account whether the font in the form of one seal carving style similar, coordinatedprinted text and picture strive to be able to do India not to force the painting, the painting isnot forced India; enables the fusion of Indian painting has more aesthetic expression andcultural connotations."Poetry","book","painting" printed "the gradual process of combining them, the seal onthe screen has become the the literati painting essential elements, an important role play inwhich the operating position, and no longer confined to of signature inscription supplement.Text one can use the chop to supplement the inadequacies of the inscription on the painting,the painting momentum restrained, more balanced picture of the actual situation sense. Sealmark of those different forms, different font on the screen of the literati, for us to open thedoor leading to the door full of concentrated ancient cultural connotation; those seal coveredwith paintings of different periods seal acts as a narrator of history for us explained it hadexperienced the "gloomy". To proper seal picturesque adds a lot of implication for painting,At the same time, carving art of its own in India and painting process which also get this step-by-step development; that the combination of Indian painting showing us seal carving artin different periods gorgeous.