Delicate·bold

Chinese culture has a long history, cultural tradition, broad and profound. Chinesepainting is an important part of Chinese culture. Chinese painting is rooted in theChinese culture soil, through different historical, across different stages, graduallyrooting, germination, growth, until now, has formed a unique, complete the painting ideais different from the western, contains a profound truth. Embryonic form of Chinesepainting can be found in the Neolithic Age vessels. Chinese painting is like a bright pearlin Chinese culture hanging stars, it is like a flower opening in the world painting a largegarden, it is a kind of art with national characteristics. With the progress of history, thechange of times, Chinese painting style, theme more and more widely, material is alsoemerge in an endless stream. Throughout the development process of Chinese painting,we see two different forms of painting--freehand brushwork and. Meticulous andfreehand two types of painting the progress of the times, through continuous innovationof painters, the two have different performance characteristics. Although theperformance characteristics are different, but the essence is the same, but this paperfocuses on the differences between the two in the form of performance, at the same timethey are similar in nature are discussed.This paper is divided into three parts.The first part, the origin and the development of the "months of work" and "oneday". After divided into two sections: the inquiry "months of work" and "one day" originof two words; the breakdown of fine brushwork and freehand painting developmenthistory. The second part is the main part of this paper, this part with a lot of spacecompared with freehand brushwork painting different two features: fine brushwork andfreehand brushwork of fine, more bold; painting is the center line, painting is pen inkpainting bone meat; the pursuit of imagery realism, pay attention to the objectivedepiction, painting is to have a well-thought-out plan after the free expression, is theperformance of "image"; the colour of the ink painting for auxiliary, traditional paintingrequires ink color. The third part returned to the meticulous and freehand essence. Theessence of the two are different approaches but equally satisfactory results, areinfluenced by "painting homology" thought, between me, I have you. First introducespainting homology "source". Then the paper discusses the fine brushwork and freehand brushwork, you have me, I have you. Finally, the summary of this thesis, from theoverall summary of this paper.Fine brushwork and freehand brushwork as two forms of Chinese painting, only have thepen features between them, a real understanding of the essence of both, can draw betterpaintings, in order to improve their cultivation of painting, enhance their appreciation ofthe arts as a whole. This article is to discuss these content.