Explore Watercolor Body Language And Development

Watercolor artistic development in China has been a hundred years ofhistory, although already attracted a large number of artists to engagein watercolor career, but in our watercolor still considered small bymost people kind of painting. In the eyes of some of the artist’swatercolors or only a small taste of the performance is difficult to formthe subject matter of the creation of a large, expressive in general.In the form of relatively simple kind of painting. The formation of sucha situation there are two main reasons for our First watercolor artseriously enough, two is our home for watercolor watercolor enough toenable the country to understand the body language of watercolor alwaysin the learning stage. These two did not make the performance ofwatercolor at the forefront of culture. This makes watercolor paintingin a very awkward position. How to solve this situation, I thinkwatercolor is necessary for the body language of watercolor seriousthinking and exploration. We need to abandon these watercolorenthusiasts utilitarian, impetuous one hand, on the one hand to improvetheir nutrition lessons artistic accomplishments, concerns remainsober-minded and modern ideas on the future direction of development ofthe ability to judge from the traditional language. So as to adapt tothe diverse impact of modern art, to the development and prosperity inthis era of challenging, in order to make a useful contribution tomankind. Many modern American West, such as watercolor painter has madea lot of useful attempt, also achieved fruitful results.I tried to explore in this article the formation and developmentwatercolor body language, to find some of the inadequacies of our presentwatercolor, watercolor and find the law body language development froma historical watercolor development, lack of change in order to try tofind Watercolor Art method. The first chapter introduces the history ofwatercolor art form, the traditional art form of watercolor, landscapefeatures and techniques to make a study of the characteristics anddescription, as well as an pintroduction to the major painters ofwatercolors to illustrate the causes and history of the formation of bodylanguage law of development. The second chapter interpretation of themodern world everyone works on watercolor watercolor art has grown to havea high degree of judgment, in order to identify the direction andpossibilities of our development. These two chapters are mainly found development context watercolor art from vertical and horizontalexploration, we learn how to find and develop historical basis. The thirdchapter is the lack of body language of watercolor exist thinking, lackmost of our existence mainly in watercolor on the theme of width, thereis a lack of ideas on the use of technology on the creative. This paintingmust develop the spirit of the times, thinking, accurate pulse of the timesand do not want to meet the performance, significantly behind the demandsof the times. The fourth chapter is thinking of watercolor developmentis that we have to absorb the essence of traditional watercolor and bodylanguage, body language, advanced contemporary watercolor trade-offs, tofind their own artistic path.