Qiu Ying Of The Spread Of The Painting In The Ming And Qing Dynasties

In the perspective of communication, this paper from the Ming and Qing Dynasties of Qiu Ying the evaluation of the art of painting, the collection, trade, and imitation and other activities, through the analysis of data and works, to explain the understanding of Qiu Ying painting art, explore various art activities in the process of dissemination of Qiu Ying painting effects, thus showing Qiu Ying painting art in the spread of the Ming and Qing Dynasties.In the Ming and Qing Dynasties, Qiu Ying of the art of painting is spread by people on his painting the image of the set, the circulation of works, the spread of painting style. People through the works of ornamental of Qiu Ying, the origin of his painting, the relationship between imitation ability and creative ability, the discussion of the character, finally has carried on the academic to Qiu Ying’s painting art, which puts forward Shen Zhou, Wen Zhengming, Tang Yin, Qiu Ying is known as one of the famous four in Ming Dynasty. This is Qiu Ying of the spread of the art of painting provides a theoretical support. His works of spreading way mainly through the collection of his works and trading. Represented by Huai Meizhang, Hua Yun of buyers and represented by Zhou Fenglai, Xiang Yuanbian, Chen Guan of collectors, not only provides the Qiu Ying good painting environment and a stable income, at the same time, a lot of work order and laid a solid foundation for the spread of his art. The spread of Qiu Ying’s painting style mainly in two ways:On the one hand, the followers of enemies with reference to his the inheritance and development of the art of painting, the concentrated reflection of Qiu Ying’s figure painting style of "gorgeous" carry forward. On the one hand, the followers of the inheritance and development of the art of painting to him, this is reflected in his figure painting of the "gorgeous" style of development; On the other hand, it is embodied in "Su Zhou" copied and forged. It produces the effect of two aspects:on the one hand, the number of Qiu Ying’s work increases with the increase of transmission range, which helps to expand the visibility of Qiu Ying; on the other hand, because of the difference of collectors identify ability, authenticity of hybrid works also causes the viewer to Qiu Ying of the misunderstanding of the art of painting. The discussion also reflect Qiu Ying from craftsman to the transition of the painter.