On The Left-wing Intellectuals In The Movie Image

This article is about the inspection and research of the image of intellectuals inleft-wing movie in the1930s.The image of intellectuals is an intergral part of the left-wing movie. Itsemergence and development is indelible in characters of left-wing movie, also hasmade the character image more full.As a deology-oriented art, the left-wing movie is responsible for historic mission:anti-imperialist and anti-feudal, concerned about the national salvation, concernedabout social prospects, and enlightenment society.I hope that on the premise of analysis of its social historical and cultural contextand of objective and systematical analysis of the historic opportunity, we canresearch the image of intellectuals of left-wing movie, including their mainclassification, their value judgment and the thought origin, social influence andsignificance of the present.This article will make in-depth and detailed analysis and interpretation of theimage intellectuals of left-wing movie from the following parts.The first part will analyse the left-wing movie and its image of intellectuals bythe overall analysis of the formation process of intellectuals, the experience of theLeft-wing film movement, and the aesthetic characteristics.“9?18”,“1?28” historicalevents happened, so national salvation and enlightenment became the consensus ofthe people. Taking this opportunity, the left-wing people promoted a left-wing moviemovement, take movie to its peak.The second part will systematically analyze the image of intellectuals of theleft-wing movie, and classify them: revolutionary progress intellecutual image,hardship-growed intellectual image, and those who are under the dark socialerosion.The third part will make an analysis of ideological basis of the image ofintellectuals: the influence of the proletariat thought, the feeling of the socialconstruction of the modern intellectuals, the traditional Chinese intellectual’s culture The forth part will analyze the social significance of intellectual image of theleft-wing movie: the demands of modern intellectuals, the reference of theconstruction of the advanced film culture, and the guidance of how to improve themodern citizen meaning.The fifth part will sum up the historical position in Chinese film history, andobjectively put forward the advantages and disadvantages.Only in-depth understanding of the history, objective and systematical analysis,which is based on the present, and looking to the fulture, is the fundamental purposeof all history culture research, is also the inherent fundamental purpose in this paper.