On Jiaoran Conception Theory

“Yijing” theory is the core theory of Chinese classical aesthetics,in thedevelopment,it was affected and drove by the influence of Confucianism, Buddhismand Taoism,and formatted by the accumulated experiences of Poetry creation.Using“Yijing” theory in literary criticism began from Poetry theory in Tang Dynasty.TheTang Dynasty poet Wang Changling mentioned it first in Shi Ge.In the middle ofTang Dynasty,the monk poet Jiaoran made a significant progress in developing“Yijing” theory with the combination of “Yi” theory and “Jing” theory.This paperanalyze Jiaoran’s “Yijing” Theory from his Shi Shi and Shi yi.This paper is mainly divided into three parts to discuss. The first part is mainlyon the theory of artistic conception of artistic conception theory, clear concept,mainly refers to the author’s subjective emotion and objective environmentalinteraction and the formation of meaning or image.And then discussed in Jiao ranbefore, all scholars on artistic conception theory has been done by Jiao ran, growingenvironment, have affected its artistic conception theory, summarize the formationbackground.The second part is mainly on the theory of artistic conception are analyzed indetail, from the “Yi” of Jiao ran, from the “Jing” of Jiaoran, Jiao Ran’s artisticconception theory to analysis of the aesthetic connotation of Jiao ran, wherein the“Jing” is subdivided into “Yuan jing”,“Qu jing”,“zao jing” three part of a detailedexplanation of.The third part discusses the theory of artistic conception is Jiao ran in “themeaning beyond the text” and “Buddhist poetry” on the later scholars consideredeffect of Jiao ran,“artistic conception” category not only affects the mid-Tang poetrycreation and theory development, but also to the Chinese contemporary aestheticsand art theory provides important thought resource.