Thought Love Horror Movies

Horror film was born early in the film invention, as the most creative in the art of film,one of the tradition of the most exciting and the most profound movie. Horror film isstill popular, it’s longevity makes film scholars find cultural explanation. Romanticlove on the screen can be understood as a kind of immortalityμ mass culturephenomenon, and in horror movies are showing love extremeμ of the dimension hasbecome a unique aesthetic genre.This thesis is the theme of a horror film love thinking through this movie phenomenon,focusing on the interpretation of the relationship between the movie connotation andculture. Traced back the origin of the horror film from the perspective of visualculture, as well as its main art horror aesthetic category of modern and contemporaryart in the status quo, as an art horrorist imagine, realistic fiction, reproduce culturaltheme of love and death, as witness amazing similarities between different cultures.By selection from Europe, America, Asian countries twelve moviesphenomenological analysis of case studies, horror movie love constructed text andperformance practices, that love horror movies inside constructed text and the roleplayed by the understanding of Postmodern theoretical concepts, such as The Body,Feminism-Psychoanalysis, Visual Consumption.etc, to explain how such films in thecultural language operating context and background, their motivation is how theyinteract and influence each other, and thus explore our genre of film developmentstrategy.