Mirror Memory

Nowaday, no one can deny the fact that-the film has been fully and quickly into people’s daily lives, and gradually shaping the way people feel, and even affect people’s thinking patterns. The film not only hidden social trend of the elements, is also an objective of widespread social hot topics. Hong Kong filmmakers helpless in the face of crushing of culture, identity confusion and society was filled with emotions, through the pursuit of "identity", trying to find the root of the culture of Hong Kong, embodies the ultimate value of human questioning, has far-reaching cultural significance. The survival of the soil of the city as the movie, at the same time, but also attention and objects depicted by the film, the film shines urban space, recounting the story of the men of the city as well as the character who. While watching a movie, the audience appreciate the screening of the film to convey the cultural meaning of urban culture in the refining and sublimation of film expression. The film through its wide spread influence, to some extent changing the style and process of urban culture. This shows that film production is no longer just a personal creative artistic expression, still potentially carries many social effects.By Since the beginning of the twenty-first century, the nostalgic presented by the Hong Kong film industry analysis, based on Hong Kong’s urban space, combined with the Hong Kong Film Imaging reconstruction of the social and cultural background to outline the Hong Kong Film memory of the city, as well as movies inthe emotional reactions presented in the retro style, value judgments and group self-evaluation, in order to contemplation of the experience of the modern world (living conditions, the value of standards, conduct desire), and from the image-depth digging outside the city characteristics and inherent culturecharm; movie video memory of the old Hong Kong’s image and characteristics capture as the research object, the movie image reconstruction with the spirit of the city, cultural expressions and set; through image analysis of the specific film works, the unique taste of Hong Kong culturecharacteristies of in-depth elaboration; social culture, film studies "nostalgic production, the interaction between a comprehensive description and analysis of film nostalgia, urban space and culture public feel the charm of the film, and the culture is subjected to time and space acrossafter vitality of its film and television school, cultural significance.In addition to the introduction and conclusion, the article is divided into three parts.The first chapter, mirror memory-the postmodern context the image of the Hong Kong Film collage. This chapter has been studied from two aspects, the four angles elaborated. First, the turn of the century point in time, before and after the reunification, combed historical period of change in the political, cultural watershed, review and analysis, regression and transformation of the movie from the local consciousness. Second, the present analysis illustrates the basic characteristics of the film between the reorganization of the nostalgic style and image collage and aesthetic essence of nostalgic history and language of cinema stylized.Chapter Ⅱ, construction and retro-style image of the city of Hong Kong film highlighting the analysis of social culture. In this chapter, the author carried out a detailed analysis of three aspects. First, from the perspective of historical changes with the change of political objective combing Hong Kong has a historical background and special political period, and to analyze the narrative as the Hong Kong Film nostalgic space background. Second, from the perspective of the traditional culture and national sentiment analysis of the inevitability of the Hong Kong Film nostalgic space narrative. Finally, I depart from the the creation subject of nostalgia angle of consciousness, certainly filmmakers in the movie theme planning, the value of image production.Chapter Ⅲ, of Hong Kong films in the new century image reconstruction and cultural expression. This chapter I turn from the content production, emotional production, three levels of cultural production aspects of Hong Kong films in the image of urban society, the collective emotional create resonance, cultural capital city of the film the nostalgic production value, the multi-dimensional careful analysis and research.In conclusion, the author based on social and cultural horizons further departure from the local cultural characteristics, innovative construction of the Hong Kong film image of the city, nostalgic image reconstruction, cultural presentation and expression summarized.