From The Space Narrative In The Hong Kong New Wave Movies Female Image Construction

In the late seventies early eighties Hong Kong, a group of young people returning from overseas to study film courses, such as Ann Hui, Yim Ho, Tsui Hark, Patrick Tarn, Allen Fong, a group of idealistic film, they return home has engaged in the Hong Kong television industry, television industry practice in the West the concept of advanced media, and later, without any intent to join in the vitality of Hong Kong film industry, the enthusiasm for the film, trying to slowly change the film industry, and finally many of them became the main force of the Hong Kong film industry.Hong Kong film "New Wave" curtain lifts is YIM Ho, I allow the aircraft and any Thai joint-company in1978shooting the film "eggplant mile coffee" released as a symbol. In1979. the "crazy robbery"(Ann Hui),"Butterfly"(Tsui Hark),"point refers to Bing Bing"(Chapter country out) and "line regulation"(Weng-dimensional bolt) of successively come out, have caused a momentum has been the community’s recognition. The same year, a new generation of bi-weekly "director of these out from the television series of access, has what they call the" New Wave "."New Wave" is the title of the media to give these new blood, and has been recognized by society, they shadow."Hong Kong New Wave, the reason for par commensurate with the French New Wave, mainly refers to it in terms of content and technology bold innovation on the Hong Kong New Wave, such as a breath of fresh blood is generally injected into the vitality of Hong Kong film industry, bringing Hong Kong films since the late1970s, the prosperity of the Hong Kong film formation from the Hong Kong New Wave film genre mature to complete the improvement and enhancement of film meaning, to achieve a breakthrough and prosperity of the box office, and began the development direction of the exchange of the film to the international, reached after the Hong Kong film never reached a relatively mature state.In addition to the introduction and conclusion, the article is divided into four parts.The first chapter, the Hong Kong New Wave films an overview of the research described in this chapter the author from three angles. First, review the concept of the French New Wave film of the basic characteristics and the location and value in the history of world cinema. Secondly, the analysis described the cultural environment of Hong Kong New Wave film. Finally, I combed the basic characteristics of the Hong Kong New Wave film.Chapter II, the image of women in the Hong Kong New Wave films, in this chapter the author from four aspects, a detailed analysis of the study. First, the basic characteristics of the image of women in the Hong Kong New Wave film to do a comb. Secondly, women in the Hong Kong New Wave film narrative shape the narrative from the movie space. Again, the image of women in the Hong Kong New Wave films on behalf of the director works mainly to select a representative of the continent sister and women in Hong Kong two types of image of women, with audio-visual speech combine text study.Chapter III, Comparative Perspective image of women in the Hong Kong New Wave films of this chapter the author first of all from the perspective of the visual language of the image of women in the fifth generation of the mainland, Taiwan’s "new movies" on behalf of the director works to do with the text reading, and then With a comparative approach to a comparative study of the image of women in the Hong Kong New Wave, the mainland "Fifth Generation" and Taiwan’s "new movie".Chapter IV, the Hong Kong New Wave film image of women and cultural significance, in this chapter, the author on the image of women from the local cultural identity construction, consumer culture in the Context of the female type of construction, cultural construction of the image of women in the feminist perspective three the perspective of a detailed study.The Hong Kong film new wave have changed the present situation of the Hong Kong film industry at the time, also brought the Hong Kong film after the prosperity of a longer time, Hong Kong film new wave to the female image studies for the Hong Kong film culture research has profound significance.