"Hyperreality" And "Artist.

First part of the paper focuses on defining Lucian Freud’s portrait work of thereal, with a comparative research methods, author listed two portrait painter Raphaeland Velasquez to identify Freud’s portrait’s spirit., which is non-idealistic portraits.this realistic portrait painting applies to each individual, as a simple,real, yet ordinarypeople.The second part of paper, focus on analyzing of Freud’s performance, thisperformance including his personal understanding of the modle, and his extending ofthis understanding to his portrait work, and his method of making figures. This twopoints are highly associated, how he draw is depends on how he understand theperson he draw. All this make his art has a intuitive sense of the persons insight. In thefirst part, with literature research, the author listed Brason, Raymond Mason and VanGogh’s art practice which are similar to Freud’s “performance”----real, non-dramatic,intuitive. In the end, compared composition of Cezanne and analysis Freud’s portraitpainting. This two artists has a similar method of refactoring method used. However,tFreud’s portraits are aim to present the figures he draw, the refactoring is a method,not the final goal. The anatomical knowledge, the refactoring, the observation as riverflows into a big sea, just becomes part of the representing of reality. All thesemethods for Freud, just service for presenting he artist’s persenal perception and hispersonal understanding from invisible to an eternal art work.