| From the beginning of the20th century, when several generations of Chinese artists went to Europe and other countries to learn arts, what they brought back not only a new art and performance techniques, but also the new ideas of outside world’s understanding and new visual way to grasp the external world. The spirit of scientific rationality and modeling experience, which contain in European artistic tradition, become a new creative language after Chinese painters’ understanding and mastering. At the same time, good experiences from the Western modernist art are borrowed by the Chinese painters for reference, it promote the updating of artistic concept of course. However, the most significant feature of Chinese20th century’s painting is to regenerate their own cultural heritage, and to create the inherent exchange by discover both Chinese and Western painting system’s nature of cultural,which is based on the understanding of different exotic cultures. With the broadening of culture vision, the Chinese painters are going to return constantly to the painting tradition of their own, to refresh and rediscover the tradition, to put the tradition as their new resources of personal style creation, to achieve the conversion in tradition and modern."Image Oil Painting" has not been concerned, due to the painting is only for political this kind of social nature in the early years. After the85ideological trend, the Western modern art concepts moved into China, the inherent painting system was attacked, people began to think about the personalized creation, began to focus on the disclosure of personal feelings in the paintings. The painting form which emphasizing the performance of subjective emotional has been development. At the same time, by absorbing the nutrition of Chinese traditional culture, Chinese artists put the logic of the "image" as a starting point; carry on the depth and detailed explanation by the image conversion of traditional realistic painting. Although the Chinese artists used the form of Western artistic expression, its intention is from the East. Because of the impact of Chinese traditional culture, the creation will be naturally integrated into the elements of Chinese traditional culture. It play an original oil painting performance language at the same time, also implant a Freehand spirit of traditional Chinese painting and ink Interests."Image" becomes an artistic expression pattern in the process of nationalization of Chinese oil painting.The Image Oil Painting which is studied in this paper is summed to become my own form of painting, according to my experience of learning Chinese painting and the research during my Master study of oil painting."Image Oil Painting" is an art performance between abstract and specific, just fit with my painting experiences. In the situation of the contemporary diversified manifestations, combined with the two different forms of artistic expression in Chinese and Western painting, and with the research of the works of Lin Fengmian, Wu Guanzhong, Hong Ling, I sum up my own understanding of the "Image Oil painting". The "Image Oil painting" becomes modern by the beauty performance of part, line and surface in it and the complete the creation combination.The growing of Image Oil Painting will maybe become a breakthrough in the nationalization development of Chinese oil painting. By studying the characteristics of Chinese "Image Oil Painting ", based on the Oriental thinking of the local culture, to understand the deepest psychological structure of Chinese culture, to carry forward the essence of traditional culture as purpose, I will do my best to put forward the development of Chinese painting. |