Development Of Yunnan Shuangjiang Lahu Song Seventy-two Routine Play

The Yunnan province and southeast Asia are neighbors,at the Han nationality culture in China\Southern Buddhism insoutheast Asia\Islam culture\Tibet and central Tibetanculture intersection. So Yunnan ethnic music has the typicalprotection and development. the view of the Yunnan ethnicminority music by national cultural uniqueness. ethnicidentity. conversation. Open, From the perspective ofanthropology of art, Focus on the current social change,Diversity of Yunnan minority music and so on. Is a focus ofYunnan minority traditional music research and the core.That case traditional music Lahu nationality of ShuangJiang. from the perspective of the anthropology of art.research the value of the Lahu culture. analysis of traditionalmusic in the social transformation and cultural transformationin the face，and the inheritance and protection.In this paper, Shuang Jiang. in Yunnan Lahu seventy-tworoutines as the main research object, from the perspective ofanthropology, through the theoretical and historical data,material, field investigation, study of Yunnan doubleessential seventy-two sets, the Lahu seventy-two formulacontains deep cultural value are analyzed, and clarify theYunnan minority traditional art in the current socialtransformation is common in the process of some common problems,for the multiple perspectives of the traditional culture ofethnic minorities protection put forward some thinking andexploring.Paper mainly includes the following aspects: the Lahusummarizes the significance of seventy-two sets, selecting theinfested the representative of the field, and the main method;The main content of the double Lahu seventy-two routine;Analysis of the Lahu seventy-two routine development presentsituation; On Lahu seventy-two sets the opinions of theheritage protection Suggestions.