Cannes Film Festival Award-winning Chinese Female Images In Film

From1905years, Chinese film has been going more than hundred years history. In this more than hundred years, different periods of film on the screen, all sorts of women of various ages are essential characters. So, This article focuses on the object is the female characters in the movie. In such a long period, active in the screen of the female image is always classic and countless, a lot worth studying. In order to highlight the representativeness of the research object and focuses on energy, this article discusses the selection at the cannes film festival, respectively La Palme d’or、 Grand Prix、the jury award%best director、best screenplay, this six movies as the research object. The shape of the six movies six female characters analysis as the key object. Combining with the feminist film theory, analysis in the film reflects the different age Chinese women’s living circumstances,and women under the male vision’s status and fate. The chapters are the main content are as follows:The introduction analysis this paper’s research backgrounds research object、 summarized the research status of female images in Chinese film、Conclusion still exist problems in the study.. and introduce the theoretical basis and research methods paper、On innovation and research significance.Chapterl introduce The Cannes Film Festival、Palme d’ors and the chinese film in Cannes. Combed the cannes film festival, from start to grow up to be one of the world’s four major film festival of the whole development process, statistics and finishing the film won the palme d’or in cannes film festival, summarizes and analyzes the Chinese film award at the cannes film festival.Chapter2as the existence of "the other".This chapter reading the selected six six female characters in the film. First, simply introduces the basic meaning of the female image, second, Sectional interpretation of Chen kaige’s<farewell my concubine>dare to love dare hate chrysanthemum fairy in the image; Zhang yimou<alive> in the dictionary with a wife and mother’s character image:Edward Yang<one to one> min min image like a shadow; Jiang wen<the devil is coming> I don’t know where the fish image; Lou ye<night intoxicated with spring wind>in the gay men wife Lin Xue image:Wang xiaoshuai<Shanghai Dreams>image of the patriarchy. Based on the basic plot of the film, use the feminist film theory, profoundly analyzed the six women’s living circumstances and its characters.Chapter3Comparing<farewell my concubine>and<the piano> in the female image. This chapter choose New Zealand IDA’s image in the movie<the piano>comparing with juxian image to analysis. From the three perspective of narration, sound and fate carefully read the two female life and destiny ending Discusses under the different countries and cultural backgrounds, Dominated by the patriarchal society. the differences of female image.Comparing the female images in<alive> and<dancer in the dark>. This chapter choose the Danish director Lars Von Trier movie of<dancer in the dark> and jiazhen image to compare. From the two aspects of weak position and great mother, parsing the women not only in a weak position in the family relationship.but also in the field of broad social suffer a similar fate.Chapter4Analyses the cannes film festival awards and China film. On the basis of above analysis, summing up three standards of the cannes film festival:exploration of human nature, reflect the real life, novelty and discard the old welcome the new Hope Chinese movies have their own spirit, Rather than to cater to the cannes vision for the award.